Since Boston has been on our minds lately, I thought of featuring some Boston-set movies.  These films are all set in the historical city.  Some do not depict Boston in the best light, but nonetheless, they showcase the many facets of Beantown.

Bluehill Avenue. R. 2001.
The Boondock Saints II: All Saints Day. R. 2009.
The Boondock Saints. Not Rated. 1999.
The Bostonians. Not Rated. 1984.
Children of Invention. Not Rated. 2009.
A Civil Action. PG-13. 1998.
Coma. PG. 1978.
The Departed. R. 2006.
Edge of Darkness. R. 2010.
Fear Strikes Out. Not Rated. 1956.
Fever Pitch. PG-13. 2005.
The Friends of Eddie Coyle. R. 1973.
Gone Baby Gone. R. 2007.
My Best Friend’s Girl. R. 2008.
Mystic River. R. 2003.
Saint Ralph. PG-13. 2004.
The Thomas Crown Affair. R. 1968.
3 Americas. Not Rated. 2008.
The Town. R. 2010. (also on blu-ray)

 

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Today, with the passing of Roger Ebert, is a very sad day indeed.  Ebert was a national treasure…in the film world and in popular culture.  Whether you agreed with him or not, he always seemed to command a level of respect among his peers and among the public.  It is a great loss.  NO ONE will be able to replace him.  Other have tried…but never succeeded and never will. 

I used to always say I agreedmore with Gene Siskel, Ebert’s longtime TV film critic partner…but I liked Ebert more.  I could say that the main reason for this was that he was a Pulitzer Award winner.  OR that he worked for a more “of the people” paper – The Sun Times.  But, in my heart, as a big gal myself, I think it has to do with his size.  Yes, his size.  Ebert was more human and more approachable to folks because he was a normal guy.  Also, the media always used to poke fun at him for being chubby and he used to take it in stride…with good humor and class.  I think folks found that endearing.  Siskel even used to make fun of his girth and I think people never liked that.  Ebert was the one that more people probably would have wanted to have a drink with…or see a movie with.   
And, as a filmie, Ebert did a lot for film and the  art of cinema. Siskel just used to write reviews.  Ebert’s passion for movies used to come through the page…and also through his many books on film.  In 1997, he began writing articles in The Sun Times entitled THE GREAT MOVIES…which was classic films he loved and cherished.  He wrote so many of these “great movie” articles that he eventually compiled them into books.  Basically, Ebert just loved movies…new movies, classic movies, foreign films, and everything in between. 
Goodbye, Roger.  You will be missed much more than you know!
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Daniel Day-LewisLincoln {“Abraham Lincoln”}
Hugh JackmanLes Misérables {“Jean Valjean”}
Joaquin PhoenixThe Master {“Freddie Quell”}
Denzel WashingtonFlight {“Whip Whitaker”}
Alan ArkinArgo {“Lester Siegel”}
Philip Seymour HoffmanThe Master {“Lancaster Dodd”}
Tommy Lee JonesLincoln {“Thaddeus Stevens”}
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Christoph WaltzDjango Unchained {“Dr. King Schultz”}
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Emmanuelle RivaAmour {“Anne”}
Naomi WattsThe Impossible {“Maria”}
Amy AdamsThe Master {“Peggy Dodd”}
Sally FieldLincoln {“Mary Todd Lincoln”}
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Anne HathawayLes Misérables {“Fantine”}
Helen HuntThe Sessions {“Cheryl”}
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NoChile
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“Before My Time” from Chasing IceMusic and Lyric by J. Ralph
“Everybody Needs A Best Friend” from TedMusic by Walter Murphy; Lyric by Seth MacFarlane
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How big a movie buff are you? Can you figure which movie this font is from?

Introducing the “Film Fonts” series. Every three months, the Cinema Cecilia logo will have a new font, based on a different movie. There will be adult, teen and kid films represented over the course of the year. Your challenge is to figure out what movie it’s from.

 Comment below if you figured it out!
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If it came out on DVD in 2012 and we liked it, you will find it here!  
This is compiled from all of the best 2012 picks of the Adult Services Department.  

Arbitrage (2012) (also on blu-ray)
Argo (2012)
Drive (2011)
Haywire(2011) (also on blu-ray)
Hugo (2011)
The Hunger Games (2012) (also on blu-ray)
Hysteria (2011)
Lincoln (2012)
Looper (2012) (also on blu-ray)
Magic Mike (2012) (also on blu-ray)

Margin Call (2011) 
Moneyball (2011)

Moonrise Kingdom (2012) (also on blu-ray)
The Way (2011)
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85th Oscars® To Feature Special Celebration Of James Bond

BEVERLY HILLS, CA – The 85th Academy Awards® will include a tribute to the James Bond movie franchise, which is celebrating its 50th Anniversary this year, the telecast’s producers announced today.
“We are very happy to include a special sequence on our show saluting the Bond films on their 50th birthday,” said producers Craig Zadan and Neil Meron. “Starting with ‘Dr. No’ back in 1962, the 007 movies have become the longest-running motion picture franchise in history and a beloved global phenomenon.”
The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.
Academy Awards for outstanding film achievements of 2012 will be presented on Oscar® Sunday, February 24, 2013, at the Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.

ABOUT CRAIG ZADAN AND NEIL MERON
Craig Zadan and Neil Meron are producers of critically acclaimed and award-winning feature films, television movies, series, and Broadway productions. Their feature films include “The Bucket List”, “Footloose”, “Hairspray”, and “Chicago”, which won six Academy Awards including one for Best Picture. For television, they’ve produced films of “Steel Magnolias,” “Life with Judy Garland,” and “A Raisin in the Sun,” among many others and the series “Smash” and “Drop Dead Diva.” They recently returned to their roots in live theater by producing Broadway revivals of the Tony-winning “Promises, Promises” and the Tony-winning 50th Anniversary revival of “How to Succeed in Business Without Really Trying.”

http://www.oscars.org/press/pressreleases/2013/20130104.html

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BOOKS SET TO BE ADOPTED INTO MOVIES IN 2013
Gangster Squad: Covert Cops, the Mob, and the Battle for Los Angeles by Paul Lieberman

A chronicle of the LAPD’s fight to keep East Coast Mafia types out of Los Angeles in the 1940s and 50s.

Starring:  Sean Penn, Ryan Gosling and Emma Stone
 
Release date: 11 January 2013 (USA)
Safe Haven by Nicholas Sparks

 


A young woman with a mysterious past lands in Southport, North Carolina where her bond with a widower forces her to confront the dark secret that haunts her.

Starring:  Cobie SmuldersJulianne Hough and Josh Duhamel 
 
Release date: 14 February 2013
Carrie by Stephen King


A sheltered high school girl unleashes her newly developed telekinetic powers after she is pushed too far by her peers.

Release date: 15th March 2013
The Host: A Novel by Stephanie Meyer

 


A parasitic alien soul is injected into the body of Melanie Stryder. Instead of carrying out her race’s mission of taking over the Earth, “Wanda” (as she comes to be called) forms a bond with her host and sets out to aid other free humans.

Starring:  Saoirse RonanDiane Kruger and William Hurt 
 
Release date: 29th March 2013
The Great Gatsby by F Scott Fitzgerald

 


Nick Carraway, a Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, Jay Gatsby. He is drawn into Gatsby’s circle, becoming a witness to obsession and tragedy.

Release date: 10th May 2013
World War Z: An Oral History of the Zombie War by Max Brooks

 


A U.N. employee is racing against time and fate, as he travels the world trying to stop the outbreak of a deadly Zombie pandemic.

Starring:  Brad PittMireille Enos and David Morse
 
Release date: 21st June 2013
The Mortal Instruments: City of Bones; City of Ashes; City of Glass by Cassandra Clare

 


When her mom is attacked and taken from their home in New York City by a demon, a seemingly ordinary teenage girl, Clary Fray, finds out truths about her past and bloodline on her quest to get her back, that changes her entire life.

Starring:  Aidan TurnerLena Headey and Lily Collins
 
Release date: 23rd August 2013
The Wolf of Wall Street by Jordan Belfort

 


A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration.

Release date: September 2013
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The time has come!  The time I have been waiting for decades for!  The time I might have been waiting for from the day I was born!  It is here!  Alfred Hitchcock has come back into the realm of popular culture with a vengeance!!!!
My family got their first VCR for the Bears’ January 1986 Super Bowl.  Shortly thereafter, I discovered Hitchcock.  Having died in 1980, six years prior to my discovery of him, Hitchcock was no longer “in the news,” so to speak.  I watched most of his movies and tried my best to find out everything I could about him, but most of the stuff I found was from ages ago.  Yes, the occasional article would be written, but for the most part, Hitchcock was history!
History NO longer!  There are 3…count them 3…new movies or television shows dedicated to the life and/or work of the Master of Suspense:  Hitchcock, the feature film starring Anthony Hopkins as the director and Helen Mirren as his devoted wife, Alma; The Girl, an HBO movie starring Toby Jones as Hitchcock, about the making of The Birds; and Bates Motel, an A&E TV show starring Vera Farmiga as Mrs. Bates and Freddie Highmore as young Norman, about the early life of the Psycho family.
In addition to that (as if that wasn’t enough!), many of Hitchcock’s films are coming out on Blu-Ray and getting a lot of press, not to mention the British Film Institute and their months-long celebration of all things Hitchcock, to cap off their year-long “Rescue the Hitchcock 9” fundraiser to help restore nine of Hitchcock’s early British silent works.  The event, appropriately titled The Genius of Hitchcock, was a full retrospective of his works plus guests and lectures speaking about all facets of Hitchcock. 
So, basically, I’m on cloud nine.  Finally, FINALLY, the masses are catching on to the brilliance and talent of Hitchcock.  It’s about time!

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Recently, I flew to London to attend several days of the two-month-long The Genius of Hitchcock festival held at the British Film Institute’s Southbank campus.
Starting in June and ending after London’s yearly October film festival, the BFI pulled out all of the stops to honor one of their own…a British director who became an international sensation by helming such movies as Rear WindowVertigoNotorious and Psycho

The Genius of Hitchcock celebration caps off the year-long fund-raising push entitled Rescue the Hitchcock 9, a campaign to save nine of Hitchcock’s early British silent films.  These nine films are in dire need of restoration…without it, there is the chance they might be gone forever.
Being a BIT of a Hitchcock fan (OK…a little understatement —I’m obsessed), I would have loved to hunker down in London all four months, savoring classic after classic.  But, there is this little thing called WORK, not to mention MONEY, of which staying in London requires a lot.  So, alas, I settled on cramming in as many movies as I could in my limited time (five films, to be exact).
Have I seen all five before?  You betcha.  Do I own all five on DVD?  Yes, I do.  But, somehow, traveling over 3,700 miles to see movies I know by heart doesn’t seem all that silly to me.   Obsessed, I tell you!
Like I said, I saw five of Hitchcock’s masterpieces (sadly none of the restored “Hitchcock 9” were playing when I was there).  I watched a double feature of Shadow of a Doubt and The Man Who Knew Too Much (1956) on one night, followed by a double feature of Mr. and Mrs. Smith (no, not THAT one…the 1941 film with Robert Montgomery and Carole Lombard…the only romantic comedy Hitchcock ever made) and Strangers on a Train on the next.

But, the crème de la crème, the pièce de résistance was the 3D showing of Dial M for Murder.  No, this is NOT NEW 3D…this is old, classic 3D.  This is when 3D was done for effect and not financial gain.  This is when 3D was not a marketing ploy.
I have a strong distain for the new wave of 3D films sweeping through Hollywood, though I am much more against 2D films being re-released in 3D, such as Titanic (1997) and Beauty and the Beast (1991).  When I saw Scorsese’s Hugo (which I heard nothing but great things about in 3D), I specifically sought out the 2D version.
Maybe I’m equating my lack of interest in modern 3D with my lack of interest in most contemporary animation.  Look at Snow White and the Seven Dwarfs —imagine how tedious and superior the animation process was back in 1937 and compare that with today’s inferior “computer” animating.  So OK, modern 3D is not that bad…but, RE-RELEASING already-shot films just to capitalize on the 3D bandwagon is the last straw.  Where will it end?
Dial M for Murder is different.  Hitchcock filmed it in 3D but it was released in 1954 in mostly 2D.  Aside from a limited 3D re-release in the early 1980s, most people have not seen Dial M for Murder in the original 3D Hitchcock intended it to be shown.  And, among filmies, it is supposed to be one of the best, if not THE best, example of 3D filmmaking.  And, after seeing it, not only does it not disappoint but I would have to agree that the use of 3D was amazing.
Unlike much of 1950s’ Hollywood 3D, nothing here is done just for the 3D effect (such as no paddleballs bouncing at the screen, a la The House of Wax (1953)).  Everything here is done for a reason…the use of foregrounds and backgrounds become more of a 3D element than in-your-face effects.  In one scene, the infamous purse that becomes a key item in the plot stands boldly in the foreground, with character action going on behind it.  The purse, a simple inanimate object, looks as if it is right in the audience’s lap.  And that is how Hitchcock uses 3D throughout the entire movie…subtly but OH SO effectively.  But then again, would we expect anything less from the Master himself?
Keep in mind that as long as Hollywood keeps making money off of 3D, they will keep making these so-so 3D movies and…even worse, keep re-releasing existing 2D movies in 3D.  If The Bridge on the River Kwai in 3D comes out in cinemas, I’m moving to Mongolia and living in among the yak herders in a nice yurt!
Madness, Madness.  Soapbox over.

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