A charming tale about legal issues in the Edwardian Era of London…but also a fascinating look at the social graces of the day. How prim and proper everyone is…and restrained — it’s almost sinful (in a VERY reserved say, of course). Based on a true early 20th Century case in London, a young man gets accused of a small crime and consequently expelled from his private school for the alleged deed. Director David Mamet (normally more known for American crime dramas) takes the story (which was first turned into a play by author Terence Rattigan) and brings it and early 1900s London to life. Mamet uses some real locations that the actual case might have taken place in (the Horse Guards, House of Lords, and in Inns of Court) and fills the story with true passion and sincerity. There is tension, humor and romance, but all done with the appropriate levels of Edwardian propriety. Nigel Hawthorne is never better as the family patriarch, who puts everything into his son’s legal batter…even his health. Mamet’s real-life wife Rebecca Pidgeon plays the Winslow sister and the always spot-on Jeremy Northam plays the lawyer who takes the case. Both of these performances are played on the right level…passionate about their causes but perfectly undemonstrative. Edwardians would be proud!
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