I remember how excited I was when I got to this one during my “in order” Hitchcock phase as a child. Coming right between Rear Window (1954) and The Man Who Knew Too Much (1956), and the same year as To Catch a Thief, this one would have to be great, right? Well, to a 10-year-old, it was…for lack of a better term, boring. Why? Because it is a dark comedy and the humor, I guess, was over my head. I was expecting another thriller like the ones before and after it. But, instead I got a sweetly innocent story about a small New England town and a newly widowed single mother. Harry, the title character, is/was her husband and the beginning of the film shows his dead corpse lying on the grass under some autumn trees. How, why, and by whom Harry died contributes to both the story and the humor of this tale. And, watching it again as an adult, I liked it quite a bit. It’s sharp and original and clever. But, it’s not Rear Window. Hitchcock didn’t take that many chances throughout his career. He discovered early on that he was good at and liked directing thrillers so he mainly stuck to that. This is one of the few times he deviated and not only does it showcase Hitchcock’s versatility, it also proves he can poke fun at thrillers…in The Trouble with Harry murder/death is pretty dang funny!