I saw this film for the first time after I watched the 1987 Kevin Costner film No Way Out, which is based on this 1948 Ray Milland movie. Both are good cat-and-mouse thrillers, different enough to be unique movies, but similar in all of the major plot points. The main difference between the two films is that The Big Clock is much less complicated and more focused on the main storyline, making it a tight, fast-paced thriller. Milland plays a magazine editor who somehow finds himself investigating a murder in which he played a major part. He also knows who the real murderer is but cannot reveal this salient piece of information without revealing his part in the crime. If you’re confused by all of that, then don’t see No Way Out which makes this premise even more muddled and twisted by adding a political twist to the story. The Big Clock might always be known as the movie No Way Out is based on, but it stands alone as a solid, thoroughly entertaining mystery.
Posts Tagged: wronged man
The “wrong man” (or “wronged”) man has always been a running theme in Alfred Hitchcock’s films. From 1935’s classic The 39 Steps right up to Frenzy in 1972, Hitchcock had been thrilling audiences as they follow along a story about a man accused of something he didn’t do. In 1956, Hitchcock made the ultimate “wronged man” movie…giving it a very appropriate title and look. The look was that of a documentary…black and white (but that was still pretty common in the mid-50s), dark, humorless (which none of Hitchcock’s prior films had been), cameo-less (no Hitchcock peeking around a corner in this one), and lacking the fast-pacing of most of Hitchcock’s films up to that point. The director chooses everyman Henry Fonda to play his hero—the “wrong man—this time around. Fonda is perfect in this role since he’s adapt at morphing into any type of persona. Cary Grant, a Hitchcock regular, would have been way to sleek for this role. Jimmy Stewart, even, would have lacked the ability to enter the character with his tall, imposing stance. Fonda has the right look and build to play someone that just might look like the other guy…someone who is the ideal husband and father but could also look slightly sinister in the right light. The film starts off by showing Fonda’s routine…work as a musician in a nightclub until early morning then home where wife (also perfectly played by Vera Miles) is already sleeping…discussion with wife about money problems in morning…etc. Once Fonda finds himself in a mistaken identity mess when he is spotted in an insurance office as a former robber and arrested, Hitchcock mixes the plot with quite a bit of police procedures which offer insight into not only what criminals go through but also how law enforcement officers handle the daily grind. If you want to watch the quintessential Hitchcock film, rent North by Northwest, another “wronged” man film and much more typical of The Master of Suspense’s technique. If you want to watch a good film where Hitchcock experimented with the art of cinema and his own style, watch this one!