Posts Tagged: Western
Meet the Amlingmeyers. A pair of brothers riding the range from one grub stake to the next. Are they just obsessed cowpokes thinking about food, smokes, horses, women and more food? Nope. Old Red (Gustav) and Big Red (Otto) have other things on their mind. Like detecting. Just like that Sherlock fellow. Welcome to the world of Holmes on the Range by Steve Hockensmith.
Clint Eastwood directs and stars as a former violent cowboy who turns over a new leaf. Now a father and a widower, he finds out whether he still has that violent streak. Eastwood and a friend (Morgan Freeman) decide to collect a bounty in a corrupt town, run by a detestable sheriff (Gene Hackman). Called a “psychological” Western, this film won Eastwood his first Oscar for Best Director, in addition to snagging Best Picture and a Supporting Actor Oscar for Hackman.
Based on the TV series, Bret Maverick, director Richard Donner brings to the big screen a Western comedy about a handsome gambler (Mel Gibson), a charming lady con-artist (Jodie Foster), and a lawman (James Garner), all heading for a poker tournament held on a river boat with a $500,000 pot for the winner. Much of the film’s success comes from the biting dialogue from screenwriter William Goldman (of Butch Cassidy and the Sundance Kid fame). Gibson and Foster are purely charming together and Garner adds just enough tension to the film to keep the audience on its toes. Look for Graham Greene in a small role as Gibson’s friend, Joseph, who practically steals the movie and many of the laughs!
When simple-minded, big-city lawyer James Stewart arrives in the town of Shinbone, he butts heads with town bully John Wayne as they fight over a woman and over how to run Shinbone. After notorious outlaw Liberty Valance comes to town, Wayne and Stewart set aside their differences to fight him. Stewart and Wayne shine as both tortured souls in their own ways. Not Ford and Wayne’s finest pairing, but with the addition of Stewart, this one is a must-see classic Western. On a side note, this film trademarked Wayne’s “pilgrim” expression, which he uses too many times to count here.
Civil War veteran Ethan spends more time wandering the West than he does with his family. When he finally comes home, he soon finds himself searching once again: this time, for his sole-surviving nieces who were kidnapped after a raid on his brother’s home by Indian chief Scar. Many consider (including myself) this the best work from the frequent collaboration of John Wayne and director John Ford. The vistas from Ford’s famed location Monument Valley never looked more stunning. Wayne never was more tormented and troubled, really showing his acting range in this one. What a brilliant combination!