George Clooney plays Ryan Bingham, a paid “hatchet” man whose job is to fire people for corporate executives who don’t have the guts to do it themselves. Touted as a “transition specialist”, he spends 322 days a year flying from one city to the next while living out of a one-room rental at a place that looks like the Hampton Inn.

His goal: To achieve membership in the 1,000,000 mile club and receive the airlines club card that identifies him as only the 7th man in the world to reach this milestone.

Bingham loves his work and he truly believes he is a performing a positive service. This, however, is not an upbeat movie. It is a timely and very poignant look at getting downsized in the worst job market in decades. Director Jason Reitman has chosen to cast real people who have been recently fired for the roles of the employees that Bingham meets.

Bingham has no relationships, even with his family, and no commitments. He finds this very satisfying. So too, does the female “road warrior” Alex Goran (Vera Farmiga) he meets in a hotel bar, naturally.

His boss, played by Justin Bateman, brings in a new whiz kid Natalie Keener (Anna Kendrick), who has found a way to cut expenses by firing people through videoconferencing. Kendrick is energetic, smart and likable. Bingham takes her on the road to show the hotshot how he does it, and then to attempt the changeover. Clooney is at his best in these scenes. He is smooth and warm and engaging.

We follow Bingham to Wisconsin to attend his sister’s wedding who he hasn’t seen in years. There we get another glimpse of the character’s bravado while really seeing that he is just a lonely guy.

A late scene with Alex is, thankfully, not your “Harry Met Sally” happy ending. It is also unexpected and it is in this scene that you witness the great actor Clooney has become.

Kendrick and Farmiga are good additions to the cast and this is Clooney’s best role. Academy Award nominations for sure for the movie and possibly Clooney.

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Once again, a small film that DESERVES TO BE SEEN gets tossed into a few theaters for a measly weekend in NYC and LA (just so it can say it’s a “theatrical release”) and then sent on its merry way to obscurity as a seemingly “direct to DVD” title. Sadly, this has little to do with caliber of acting and/or even the box-office draw potential of the cast (though I doubt Brad Pitt still has a few years to wait for this to happen to him): this film stars Kate Beckinsale, who after her Underworld films, not to mention other action films, is a pretty big star. It has, rather, to do with money…which, as usual, is what everything, especially in Hollywood, comes down to. So, this great film with great performances by a strong cast gets lost in the DVD shuffle. But, please…seek this one out! Loosely based on the true tale of a Washington political reporter, the script perfectly captures the right tone…not going too overboard to the weepy or the harpy, which could have easily been done here. And the cast takes that intensity from the page and adds power and subtlety and depth. Inspired by the case of real reporter Judith Miller who went to prison in 2005 to protect the identity of a source, the movie could have become one of those “it’s in the news so Hollywood must capitalize” flicks that are mainly seen as made-for-TV films. But, Nothing But the Truth is much more than that. I would say that this film far surpasses most intense dramas and thrillers you find in your local multiplex. Beckinsale plays the reporter who finds herself caught in this tangle of excitement and confusion after a story she wrote and championed found its way into the inner-workings of the D.C. elite. Every tactic possible is used to get her to reveal her source and the saga finally leads her to jail and away from not only her job, but also her family. Beckinsale, not someone I would call a “deep” actress, is highly emotive and rich here. She is calm and fearless when necessary, but at other times, she is raw and unabashingly open. Vera Farmiga, again not someone I’ve seen give a truly meaningful performance in the past, is tense and controlled…but just the right amount. Alan Alda also shines as a high-powered attorney who takes on Beckinsale’s case, against all odds. The supporting cast, including Angela Bassett, Matt Dillon, and David Schwimmer, is strong as well, making this a stellar effort by all involved and an all-around excellent film.

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