The overused word DYSFUNCTIONAL could have been coined about the Gregson family. The matriarch of this mess is Tara, who has several diverse and loony multiple personalities, including a teenage-like wild girl, a June Cleaver-esque housewife, and a MALE Vietnam Vet who smokes and drinks way too much. Her kids and husband are all very aware that this personality disorder is something their mother is afflicted with. Often, the personalities come out at the most inopportune times, causing havoc in the kids’ lives. Like I said, dysfunctional with a capital D! And, most times, I stay clear from families-in-crisis shows (like Married With Children, etc.) but this time, Tara and her antics make the show so appeal and fun. I also felt myself drawn to the kids’ plights and what their lives must be like with a mother like Tara . Their frequent frustration is believable and not overdone in anyway. But, I would have to say that Tara and her “alters” as she calls them is the reason to watch this one. Toni Collette has won raves and awards for her portrayal of Tara and I think she is key to the show’s appeal and quality. If Tara were not as believable as she is, the show would not hold together and the audience would lose interest fast. Collette’s strong acting and huge range allow this show to be a hit rather than a miss.
Posts Tagged: Toni Collette
The Black Balloon is a touching, engaging Australian drama about a family with two teenage sons, one of whom is autistic. At the start of the film, the mother is pregnant again, trying her best to manage the two boys she already has, plus a husband and a household. The autistic son, Charlie, naturally takes up a great deal of both parents’ time as well as the time and attention of the other son, Thomas. When Thomas brings a girlfriend home for dinner, things do not go exactly as planned, as with most things when the ever-unpredictable but sweet Charlie is around. All of the performances in this film are stellar, especially the two boys. I even had to watch the DVD special features to find out if the actor who pays Charlie was autistic or not (he is not). Sometimes, acting performances of characters with special needs go too over the top or are too unrealistic. Here, Charlie is a non-verbal, highly inquisitive young man who likes structure and regiment, but is not seen as a victim or a character in need of sympathy from the audience. He is just a teenage boy. He is happy in his own world with his own games. And the relationship between the two brothers is also not sugarcoated at all. There even is a very emotional scene when the brothers fight; it’s tough to watch since they are so close. The strong performances and convincing script are what make us so attached to these characters. No cardboard characters here!
Not having a sister, I’m not sure I complete understand the family dynamic in this film, but putting that aside, I feel this is a good film about love and relationships that neither gets too gooey or too preachy. It starts off like a lot of films have in the past…two siblings have more than their fair share of issues because they could not be more different. One sister is sleazy and superficial, whereas the other is brainy and slower in the “love” department. Sleazy sister likes loafing off her relatives. Brainy sister always is the responsible one who has to pick up the pieces of Sleazy sister’s life. After the Brainy sister finally gives up and kicks Sleazy sister out, the film takes an unconventional turn. Instead of having the typical resolution of “accepting each other’s faults” this one actually allows the characters to change and grow. Enter Shirley MacLaine, who plays the sisters’ estranged grandmother, and there suddenly are three intelligent female characters who are capable of transforming themselves without the help of a “good man” or constant attention from others. The three main characters use what they’ve learned from each other but on their own create their own change.