This is the one everyone is talking about. I usually stay away from uber-popular titles like the plague, but this was too popular to pass up. And, I believe, it deserves most, if not all, of the hype. But, be warned, it starts slow and ends kind of slow but in-between are some of the most compelling, can’t-put-it-down-in-the-middle-of-the-night fair. Like I said, at the start, I was pretty bored. But, once it kicks in (when you find out the essence of the “thriller” part of the story), I was hooked. The “thriller” part (which takes up most of the book, so don’t worry) involves a disgraced journalist who is asked by the head of a influential Swedish family to write his memoirs and also, in the process, find out what happened to his niece who went missing over 40 years ago. Be warned…this one is pretty dang gory and graphic in parts. Author Stieg Larsson doesn’t hold anything back when he describes a crime scene. And, I like that…it’s honest. Deliberate when it needs to be and riveting always, Larsson (who passed away after he submitted the final book in this trilogy to his publisher) deserves all of the credit he’s getting. Too bad he’s not here to enjoy it!

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A sensational thriller from Oscar-winner Roman Polanski who has filmed one of the best final shots I’ve ever seen on the screen. To me, it’s a simply perfect ending to an already great film. This one leaves you guessing all the way…and even once you think you know what’s going on, you’re usually wrong. Ewan McGregor stars as a ghost writer for a scandal-ridden British Prime Minister, Adam Lang (Pierce Brosnan). While writing the PM’s memoirs, the writer gets himself involved with the same political and sexual shenanigans as his subject. The McGregor character is teeming with intensity and confusion. He knows something is going on, but WHAT? Brosnan does a great job of capturing the scorned political figure who might not be guilty of all he is accused of but is guilty of enough. This is a film, especially that fantastic ending, that you will want to watch over and over again to pick up on all of the slight nuances of each of the characters…not to mention the plot twists! The film Polanski has made here competes with Woody Allen’s Match Point as one of the best thrillers of the 21st Century (so far). The Ghost Writer: Rated PG-13, 128 minutes, directed by Roman Polanski, starring Ewan McGregor, Pierce Brosnan, Olivia Williams, and Kim Cattrall. The Niles Public Library will have copies of this DVD when it is released on August 3.

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A strong thriller that has small-town and strong families ties intricate to the story. Set in rural New York State, the girlfriend of police detective’s son goes missing and the son is a strong suspect. This disappearance also brings to light the decades-old murder of a local girl who was friends with the detective during his high school years. Never having read Unger, I was surprised by how, not only well-written, but how formed the characters were. We really got to know these people and, as a result of that, you felt and cared for all of them. A VERY powerful thriller!

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After 19 people are brutally murdered in a little small-town hamlet in Sweden , a judge who finds out she’s distantly related to one of the victims begins her own investigation. Brigitta, the judge, soon finds out that all of the victims might have had an ancestral connection that was the factor in their murder. The story, which goes from present day Sweden and China to American in the 1800s, is as nail-biting as they come. Mankell, known worldwide mostly for his Wallander mystery series, does a superb job of trying his hand at a standalone thriller.

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An excellent standalone thriller by Rankin, who really, I feel, ranks as one of the top thriller writers, in addition to being a top-notch mystery writer as well, of the Rebus detective series. Taking place mostly in California , but also moves to London and Scotland , the main character, Gordon, here is a former Special Forces soldier who’s brother has committed suicide. Once Gordon arrives in California to take his brother home to the UK , he finds out that, most likely, it was not suicide, but rather murder. Fast-paced and very well-written this one is a must for all thriller lovers and British mystery fans!

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It’s hard to say I loved The Hurt Locker since it is such a disturbing and brutal movie. I will most likely never watch this film again. It’s not the kind of movie you want to re-live over and over again. And, it’s also not the type of film I would usually be drawn to. But, all I know is that I felt moved after seeing it…and that it affected me more than any film has in a long time. I think one of the reasons I was drawn to this film was that no matter what the subject, no matter how brutal or violent, good filmmaking is universal and stands out over all of the hype and other elements of the plot or story. The Hurt Locker is filmmaking at its finest. Never having been to war or even war-torn areas, this film is what I, as a naive civilian, imagine combat to be like. It is gritty and dismal and bleak and, at times, boring. There are men quarreling and having everyday personality issues like you and I do in the workplace. There are anger issues and missing family. There is death. Unlike some war films where the action and personalities of the soldiers and even the violence seems contrived, this film just seemed, to me at least, authentic. Revolving around soldiers in a bomb disposal unit in Iraq, the main character here is reckless and careless. But, he’s good at what he does so others around him are able to mostly excuse his free and easy behavior, especially because they do not want to do what he does. He’s the one who puts on the protective bomb gear and gets up close and personal with bombs. He might be a rebel, but in his dangerous job, rebellion is more of an asset at times than a liability. Like I said, I have no military experience so this feeling of authenticity is not based on anything specific…it’s just what I felt as I was watching the film—that this what be what it is really like over there. Then, on top of the intensity and drama of the film, The Hurt Locker also morphs into a thriller. As nail-biting (probably even more so) as any thriller made in Hollywood today, this war drama will not let up…even after the credits start to roll. With so many trite, predictable films being made today (some even about the war in Iraq), The Hurt Locker stands out among not only other war dramas, but among all other films.
The Hurt Locker: directed by Kathryn Bigelow and starring Jeremy Renner and Anthony Mackie. The Niles Public Library owns copies of this title on DVD.

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An excellent thriller — my first read from Fielding. It was a true page-turner. I could hardly put it down — even for sleep! About a journalist who gets suckered in to write the memoirs of a sadistic child killer, Fielding really has a way of increasing the suspense as the story progresses. Strong characters and a good, trick ending make it a must read for any thriller fan. Not exactly the most intellectual read ever, but for thriller fans, I would say it’s a must! I’m going to try another Fielding soon and see if she’s always this good!

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In doing some random Hitchcock searching, I happened to stumble across THE ALFRED HITCHCOCK WIKI.
Aside from being totally stunned that I have not uncovered this treasure trove before, I was giddy with excitement at this site. It’s like HEAVEN in a website form for any Hitchcock afficiando (there are other words I can substitute here, but I will skip it).
YOU MUST CHECK IT OUT!

http://www.hitchcockwiki.com/wiki/Main_Page

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