A strong thriller that has small-town and strong families ties intricate to the story. Set in rural New York State, the girlfriend of police detective’s son goes missing and the son is a strong suspect. This disappearance also brings to light the decades-old murder of a local girl who was friends with the detective during his high school years. Never having read Unger, I was surprised by how, not only well-written, but how formed the characters were. We really got to know these people and, as a result of that, you felt and cared for all of them. A VERY powerful thriller!

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After 19 people are brutally murdered in a little small-town hamlet in Sweden , a judge who finds out she’s distantly related to one of the victims begins her own investigation. Brigitta, the judge, soon finds out that all of the victims might have had an ancestral connection that was the factor in their murder. The story, which goes from present day Sweden and China to American in the 1800s, is as nail-biting as they come. Mankell, known worldwide mostly for his Wallander mystery series, does a superb job of trying his hand at a standalone thriller.

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An excellent standalone thriller by Rankin, who really, I feel, ranks as one of the top thriller writers, in addition to being a top-notch mystery writer as well, of the Rebus detective series. Taking place mostly in California , but also moves to London and Scotland , the main character, Gordon, here is a former Special Forces soldier who’s brother has committed suicide. Once Gordon arrives in California to take his brother home to the UK , he finds out that, most likely, it was not suicide, but rather murder. Fast-paced and very well-written this one is a must for all thriller lovers and British mystery fans!

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It’s hard to say I loved The Hurt Locker since it is such a disturbing and brutal movie. I will most likely never watch this film again. It’s not the kind of movie you want to re-live over and over again. And, it’s also not the type of film I would usually be drawn to. But, all I know is that I felt moved after seeing it…and that it affected me more than any film has in a long time. I think one of the reasons I was drawn to this film was that no matter what the subject, no matter how brutal or violent, good filmmaking is universal and stands out over all of the hype and other elements of the plot or story. The Hurt Locker is filmmaking at its finest. Never having been to war or even war-torn areas, this film is what I, as a naive civilian, imagine combat to be like. It is gritty and dismal and bleak and, at times, boring. There are men quarreling and having everyday personality issues like you and I do in the workplace. There are anger issues and missing family. There is death. Unlike some war films where the action and personalities of the soldiers and even the violence seems contrived, this film just seemed, to me at least, authentic. Revolving around soldiers in a bomb disposal unit in Iraq, the main character here is reckless and careless. But, he’s good at what he does so others around him are able to mostly excuse his free and easy behavior, especially because they do not want to do what he does. He’s the one who puts on the protective bomb gear and gets up close and personal with bombs. He might be a rebel, but in his dangerous job, rebellion is more of an asset at times than a liability. Like I said, I have no military experience so this feeling of authenticity is not based on anything specific…it’s just what I felt as I was watching the film—that this what be what it is really like over there. Then, on top of the intensity and drama of the film, The Hurt Locker also morphs into a thriller. As nail-biting (probably even more so) as any thriller made in Hollywood today, this war drama will not let up…even after the credits start to roll. With so many trite, predictable films being made today (some even about the war in Iraq), The Hurt Locker stands out among not only other war dramas, but among all other films.
The Hurt Locker: directed by Kathryn Bigelow and starring Jeremy Renner and Anthony Mackie. The Niles Public Library owns copies of this title on DVD.

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An excellent thriller — my first read from Fielding. It was a true page-turner. I could hardly put it down — even for sleep! About a journalist who gets suckered in to write the memoirs of a sadistic child killer, Fielding really has a way of increasing the suspense as the story progresses. Strong characters and a good, trick ending make it a must read for any thriller fan. Not exactly the most intellectual read ever, but for thriller fans, I would say it’s a must! I’m going to try another Fielding soon and see if she’s always this good!

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In doing some random Hitchcock searching, I happened to stumble across THE ALFRED HITCHCOCK WIKI.
Aside from being totally stunned that I have not uncovered this treasure trove before, I was giddy with excitement at this site. It’s like HEAVEN in a website form for any Hitchcock afficiando (there are other words I can substitute here, but I will skip it).
YOU MUST CHECK IT OUT!

http://www.hitchcockwiki.com/wiki/Main_Page

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Dr. Tony Hill is a psychologist. A pretty dang quirky one. He talks to himself. He tries to work out his cases by posing as both the criminal and the doctor. He’s a little strange…but boy is he clever. He plods and thinks and analyzes and examines and will not stop until he has solved the puzzle…always one step ahead of both the criminal and the police. Working with him is Detective Chief Inspector Carol Jordan who has a pretty major crush on Dr. Hill (and vice-versa) but neither will ever let anything happen. They are both too professional for that. But, as a crime-solving duo, they work together flawlessly. DCI Jordan calls Dr. Hill in on special cases…stumpers — mostly multiple murder cases or serial killings. Hill can almost “get inside” or see inside the brain of the killer. In the first case, Dr. Hill gets more than he bargains for when he helps DCI Jordan on a serial killing case and he gets targeted by the killer and captured and tortured. Does Jordan save him in time? Well, let’s just say that the series goes on.

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A fast-paced, exciting show that keeps the audience on their edge of their seats; this show is about the British organization MI:5…which is the spy agency that handles all activities WITHIN Great Britain (MI:6, where James Bond works, is responsible for the activities OUTSIDE Britain). If this show is even 10% accurate on what a spy goes through and what spies have to deal with, it is frightening. Taking spying into the 21st Century, this show does a great job of utilizing all of the new technological gadgetry and true-life terror threats as background in their episodes. A great cast helps push this show over the top…it’s provocative, insightful, very topical and fascinating.

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Dexter is one of those GREAT stories that you just cannot seem to stop watching. Even when it gets a little too gory for my taste, I find myself unable to turn the TV off. Most of this, I would say, could be attributed to the writing. All of the characters are VERY well-structured. Not that this show is realistic…which is really is not…but at least the characters (for the most part) are. Dexter himself, played by Michael C. Hall, is a loveable loser kind of guy…at first. And even when he shows us his darker (MUCH darker) side, we still see him as the perfect underdog. I mean, the guy kills people…yes, only BAD people…but still. He’s a killer. He’s serial murderer. And I still find myself drawn to him. Go figure. Season two seemed even sharper (no “knife” pun intended) than the first…so I have high hopes the remaining seasons of this show will continue to be top-notch.

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