Before the Devil Knows You’re Dead is a good thriller…with a good ending. Not a great ending (I wish one of the main characters’ story was not left unresolved) but still satisfying.
Posts Tagged: thriller
If you have followed this blog series up to this point, then you have probably wondered what that one show was that was canceled in December. It’s time for the reveal…And that 2nd spot belongs to NIKITA!
This sleek and action-packed thriller had it all: Attractive characters, engaging plots (including the subplots), a well thought out and densely plotted seasonal arcs, and lastly, the action itself.
One feeling kept me going throughout the entire time I watched the film Prisoners: FEAR. At over two and a half hours, you would think that I could not possibly have been afraid for the entire film. Well, I was. And, most likely, you will be too.
In addition to instilling fear from minute one, Prisoners also continually surprised me. I thought it was going to be just a simple revenge movie. But, this is so much more than that. Filled with leaps and twists and unexpected turns around every corner, Prisoners is more than a thriller. It is an adrenaline ride.
I have issue with movies based on real stories where I know the ending…mostly because it kills the suspense. Titanic: No matter how much Leonardo DiCaprio and Kate Winslet love each other, the boat will still sink. Marie Antoinette: She tells the French people to eat cake and then she loses her head. Joan of Arc: She inspires France and gets burnt at the sake for her troubles. Now, I know Hollywood takes a lot of liberties with endings (adaptations rarely end exactly as they do in the book or on the stage, etc.) But, even the fickle movie industry would never be so brazen enough to change the ending of a real life tale, right? Titanic 2: It’s Didn’t Sink will never be produced, right? (Well, hopefully!)
So, in Hollywood’s latest string of based-on-real-life movies (Dallas Buyers Club, The Wolf of Wall Street, 12 Years a Slave), one stands out for me, EVEN THOUGH I was pretty sure I knew how the movie was going to end. Captain Phillips is based on a book by, that’s right, Captain Richard Phillips. Chances are (and I’m just GUESSING here) if he was able to write about his death-defying experience, he most likely survived. Again, I’m JUST guessing. So, what does this tell us…that we know the ending. Darn, another Titanic. But, wait. Not this movie. Captain Phillips is a wild ride, a fast-paced, highly enjoyable thriller that will keep you on the edge of your seat.
A strong Chicago-based mystery from Chicago-based writer Walker, who has a knack for capturing both the essence of the city and the suspense that fills its streets. In this novel, Walker, a former Catholic priest, uses his seminary background as the backdrop for this latest, involving a priest who gets caught up in an international quagmire. One day, out of the blue, Father Paul Clark’s friend is killed right in front of him. Barely escaping with own life, Clark soon finds out that his friend was involved in some less than savory dealings with the wrong types of people. Enter a woman who says she is from the government who has a plan to help Clark. Can she be trusted? Clark spends much of the novel trying to answer that question, a search which leads him all the way to South America. In the midst of all of this, a young man enters him life and shakes his beliefs to the core.
As mysteries go, this is quite strong. The character of Paul Clark is a believable, convincing protagonist. All throughout the book, no matter what Clark is going through, we feel his pain and can sympathize with his difficult situations. As a priest, he might appear as unrelatable, but Walker gives Clark such compassion and conscience and even some faith crises that we can understand what Clark is experiencing. And Walker also makes good use out of Chicago. Through the pages, I was able to visualize the gritty and dank streets of Chicago where Clark was desperately trying to run for his life.
This is the second mystery I have read by Walker (Saving Paulo was the other one) and though I liked both, I found myself drawn more this Clark and his set of nerve-wrenching circumstances.
This is another psychological thriller that keeps the reader riveted from Gone Girl author Gillian Flynn. This, Flynn’s debut novel, tells the story of Camille and the uphill battle she faces as she is forced to confront her past and return her her roots. Struggling as a cub reporter, Camille gets a prime assignment that just might get her name on the journalism map. The only problem is the story requires her to head back to her small hometown to cover the murder of two young girls. Her mother still lives there and Camille has had practically no communication with her since Camille left eight years ago. There also is a new half-sister, who Camille does not know at all.
Flynn does a fantastic job of interweaving all of Camille’s troubles with the case she’s supposed to be researching and reporting. And, though Camille is not a perfect character, we do at least begin to like her more and more as the story progresses. She’s very troubled (at the beginning, we find out one of the reasons she is floundering in her newspaper job is that she just finished a stint in a psych hospital) and heading to her hometown only increases these troubles. But, Flynn does not take Camille or any of the characters here and send them over the top, as many authors tend to do, especially in thrillers. The story and the characters here are controlled and methodical. All in all, this is a a wonderful thriller with a dark, gritty edge.
A dark (as the title states), depressing novel with pretty much no sympathetic characters, this is the second novel by Gone Girl author Flynn. The main character here, Libby Day, was witness to her mother and sisters being murdered when she was a small child. In court, she identified her brother as the killer. Over 20 years later, Libby begins to doubt that testimony…did she really see her brother kill three members of her family or did she just believe she had seen it? Libby begins a quest for self-discovery that will take her life into even more dark places than before.
First of all, Libby is not a nice person. She’s a thief, she can be violent, and she only begins to question her brother’s innocence after stumbling on a group of true crime addicts who offer her money for trophies from her past. Aside from Libby, the novel is also told from the point-of-view of the mother and the brother (both of those POVs are set before the murders). But, like Libby, neither the mother nor the brother are characters the reader will want to relate to. The brother, Ben, gets involved with Satanism and a VERY bad crowd of friends. And the mother sits idly by while her family crumbles around her.
See…it’s a VERY dark story. But, if you can get past all of that, it is a well-written, edgy piece of fiction that really does keep you reading. Unlike a lot of contemporary thrillers, this one has a solid foundation, as well as great character development and a pretty decent ending.
By far my favorite book of 2012 (even though I read it in 2013). It is a strong, fierce thriller that combines social commentary and suspense…all in one well-written story. It is no surprise to me that Ruth Rendell is still writing strong, highly literary pieces of fiction. She is one of the leaders of the mystery genre, especially British mysteries. Writing here as Barbara Vine, Rendell writes what I think is one of her best in years…lending truth to the adage that some things improves with age.
The story here starts off in 2011 with a sister and her brother, Grace and Andrew, sharing a home in London. They divide the living space of the house equally, a situation which works fine until the brother’s lover, James, comes to live with them. James sets off a series of events that neither Grace nor Andrew will ever recover from. While coping, Grace begins reading a long-lost manuscript, never published because its storyline includes unwed mothers and homosexual characters in the 1920s. That’s when a completely different part of the story takes over. Or at least we THINK it’s different…because it is set in the post-WWI era. Soon, correlations between Grace’s modern-day dilemmas and the historical plot become evident.
The historical storyline revolves around a sister, Maud, the youngest child in a very conservative Bristol family, who gets herself pregnant. After telling her family, they want to send her away. But, her brother John has a different idea. He is homosexual and aware that he will never be able to lead a respectable life as a gay man, so he and Maud begin living together as husband and wife…in name only…so that the child does not seem illegitimate.
Both storylines are interesting and compelling but the historical one just captivates the reader with twists and turns that the reader never expects (or at least I didn’t). I found both tales together a great commentary on how things regarding sexuality and homosexuality have changed…yet how some things have stayed the same through the centuries.
The time has come! The time I have been waiting for decades for! The time I might have been waiting for from the day I was born! It is here! Alfred Hitchcock has come back into the realm of popular culture with a vengeance!!!!
My family got their first VCR for the Bears’ January 1986 Super Bowl. Shortly thereafter, I discovered Hitchcock. Having died in 1980, six years prior to my discovery of him, Hitchcock was no longer “in the news,” so to speak. I watched most of his movies and tried my best to find out everything I could about him, but most of the stuff I found was from ages ago. Yes, the occasional article would be written, but for the most part, Hitchcock was history!
History NO longer! There are 3…count them 3…new movies or television shows dedicated to the life and/or work of the Master of Suspense: Hitchcock, the feature film starring Anthony Hopkins as the director and Helen Mirren as his devoted wife, Alma; The Girl, an HBO movie starring Toby Jones as Hitchcock, about the making of The Birds; and Bates Motel, an A&E TV show starring Vera Farmiga as Mrs. Bates and Freddie Highmore as young Norman, about the early life of the Psycho family.
In addition to that (as if that wasn’t enough!), many of Hitchcock’s films are coming out on Blu-Ray and getting a lot of press, not to mention the British Film Institute and their months-long celebration of all things Hitchcock, to cap off their year-long “Rescue the Hitchcock 9” fundraiser to help restore nine of Hitchcock’s early British silent works. The event, appropriately titled The Genius of Hitchcock, was a full retrospective of his works plus guests and lectures speaking about all facets of Hitchcock.
So, basically, I’m on cloud nine. Finally, FINALLY, the masses are catching on to the brilliance and talent of Hitchcock. It’s about time!