Taking over the role of “mentor” detective, Lewis returns sans Morse after being widowed and taking a long holiday to drink a lot and forget. Once back in Oxford, he is partnered with a new sergeant (a little less naive than Lewis used to be with Morse, but still pretty green) and they begin protecting Oxford from all things nefarious. The one major difference here between this show and Morse is that the new assistant, Hathaway, is the more cultured, educated one…taking those reins from Morse. Lewis is once again, usually a step behind. So, even though he is Hathaway’s mentor, once could also say Hathaway teaches Lewis a lot too. Excellent stories and wonderful acting really round out this series as a winner. I thought for sure I would be lost without Morse. Yes, Oxford is different without the old guy, but Lewis is a more than capable replacement.
Posts Tagged: suspense
Dr. Tony Hill is a psychologist. A pretty dang quirky one. He talks to himself. He tries to work out his cases by posing as both the criminal and the doctor. He’s a little strange…but boy is he clever. He plods and thinks and analyzes and examines and will not stop until he has solved the puzzle…always one step ahead of both the criminal and the police. Working with him is Detective Chief Inspector Carol Jordan who has a pretty major crush on Dr. Hill (and vice-versa) but neither will ever let anything happen. They are both too professional for that. But, as a crime-solving duo, they work together flawlessly. DCI Jordan calls Dr. Hill in on special cases…stumpers — mostly multiple murder cases or serial killings. Hill can almost “get inside” or see inside the brain of the killer. In the first case, Dr. Hill gets more than he bargains for when he helps DCI Jordan on a serial killing case and he gets targeted by the killer and captured and tortured. Does Jordan save him in time? Well, let’s just say that the series goes on.
Dexter is one of those GREAT stories that you just cannot seem to stop watching. Even when it gets a little too gory for my taste, I find myself unable to turn the TV off. Most of this, I would say, could be attributed to the writing. All of the characters are VERY well-structured. Not that this show is realistic…which is really is not…but at least the characters (for the most part) are. Dexter himself, played by Michael C. Hall, is a loveable loser kind of guy…at first. And even when he shows us his darker (MUCH darker) side, we still see him as the perfect underdog. I mean, the guy kills people…yes, only BAD people…but still. He’s a killer. He’s serial murderer. And I still find myself drawn to him. Go figure. Season two seemed even sharper (no “knife” pun intended) than the first…so I have high hopes the remaining seasons of this show will continue to be top-notch.
Many people consider this one of the most frightening films they have ever seen. I wouldn’t exactly go that far…but for a suspense film, it’s top-notch. Maybe one of the reasons some folks see it as more of a horror movie than a thriller is that the main character is blind and it is a little more dastardly to taunt and threaten a person with a disability of some sort. The blind person, in this case, is Audrey Hepburn, who is quite convincing as a person without sight. You never really think…oh, well she’s just acting. You actually believe her blindness… forgetting that she’s Hepburn and, of course, not really blind. Hepburn’s boyfriend gets unintentionally tangled in a drug smuggling ring and through a series of events, the man looking for his drugs comes after Hepburn. Even though the entire films packs suspense, the finale is the part that really will have you jittering if your seat.
When young rookie FBI agent Clarice Starling (Jodie Foster) becomes involved in a case that requires the assistance of Dr. Hannibal Lecter (Anthony Hopkins), she quickly finds herself in over her head. Clarice is assigned to the case of a serial murderer who calls himself Buffalo Bill. In order to track down Buffalo Bill, Clarice needs to talk with Dr. Lecter, a psychiatrist turned cannibal, who is serving a life sentence for his crimes. Dr. Lecter might hold the key in unlocking the identity of Buffalo Bill, but in exchange for information, Clarice has to give up some of her past secrets to him. The crimes and horror of this film are not what makes this a stellar movie, but rather it’s the intense psychological battle that is fought between Clarice and Dr. Lecter that adds to the perfect combination of fear and tension to this film. Ms. Foster’s performance as the inexperienced, innocent agent who is not emotionally ready to take on the evilness of Dr. Lecter is right on target. The audience can see the terror in her eyes as she does her best to stare down Dr. Lecter. Mr. Hopkins, though, steals the show with his cunning and tense portrayal of the intelligent, shrewd killer. Dr. Lecter plays a game with Clarice as he tries to weed secrets out of her. Both performances were honored with Academy Awards, and when you watch the film, you will most definitely see why. In addition to Academy Awards for acting, the film, directed by Jonathan Demme, won Best Picture, Director, and Adapted Screenplay (based on the novel by Thomas Harris).
I LOVED this book. I couldn’t put it down…literally. Walker’s writing is strong and intense. His story was filled with suspense but not over dramatic. Revolving around a highly flawed main character and set in Chicago, among other locales, this book is a stand-alone thriller, but it has spurred me on to read all of the other book Walker has written, series or not. The relationship between the boy and the main character is highly believable. It never gets too sappy or mushy. And the ending is strong. I was hoping against hope that Walker wouldn’t ruin the ending as many authors do by taking the “Hollywood” way out. But, the ending is as strong as the first pages. I’ve met Mr. Walker on a few occasions and he is, on the surface, a mild, unassuming man. But, he sure writes a WILD, FAST-PACED thriller. A GREAT thriller!
Gritty and intense, this film is one of the more noir-esque films of the end of the 20th Century. It’s dark and brooding, as film noir films of yesterday, but it is quite brutal, which of course is the sign it’s a movie of the modern era. Brad Pitt plays a newly transferred cop who gets partnered with a soon-to-be-retiring cop, played by Morgan Freeman. The two begins to investigate a series of very brutal crimes based on the seven deadly sins. Freeman’s character is methodical and deliberate. Pitt’s cop is brash and overeager. Together, though, they solve the crimes and find the criminal…but is it too late? The use of a film technique called “bleach bypass” helped the movie get its dark, shadow-filled look. And, boy does it work…because even when nothing sinister is going on, the film retains its stark feel…giving the audience a constant feeling of dread.
When I took screenwriting classes in college, I always wondered if I would make it in Hollywood. One of the reasons I never did is that I do not write like Woody Allen. I’m not always a fan of Allen…most of his recent films have been so-so comedies (with the exception of the unique Melinda and Melinda), but Match Point is one of the best films I’ve ever seen, and most assuredly the best film of 2005, in my opinion. Why? How about this…not a word is out of place and there is nothing extra that should be in the film and nothing that shouldn’t. It’s a perfectly constructed film all the way around, I attest solely to Allen’s writing. The actors are good in their roles but I wouldn’t say that’s what “made” the film for me. Allen just simply has a way of working a story so it seems so easy and so perfect at the same time. It is a neat, clean circle…the story starts off with one thread and that thread runs through the entire film but in a subtle way until the ending, when you realized, “OH, I get it.” The story revolves around a young tennis pro who gets a job at an upper class athletic club and soon makes friends with one of the members…an affluent young man who has both a pretty, demure sister and a beautiful, sultry fiancée. The tennis pro falls for the sister but really falls hard for the fiancée. What happens from there leads to a complex, intricate series of events that keep the audience guessing at every turn. The ending, unlike most films I’ve seen recently, will not disappoint or ruin the masterfulness of this film. What happens right up to the last second will only increase how strong this film is…which is proof of Allen’s genius.
True, Lucky Number Slevin has flaws but what action film made today doesn’t? And considering that unlike most actions film, this one has a clever plot and some semblance of intelligent characters, I was able to overlook the few problems with the film. From the excellent cast (all of whom give wonderful performances…including Josh Hartnett who I have dismissed in the past as just a pretty face) to the sharp twists and turns that keep the audience riveted, this film keeps the pace up and the tension high…what more can you ask for in a action film? But, this film goes above and beyond even those meager expectations of today and adds some true smarts to this often-silly genre. Lucky Number Slevin begins with the Josh Hartnett character getting caught in a case of mistaken identity. The identity he is mistaken for is asked by two different crime bosses to kill two different people. Along the way, he meets Lucy Lu who helps him decide what to do in his deadly predicament. This film could have easily also been made into a stylized thriller rather than a shoot-‘um-up action flick. I would say that VERY FEW action movies of today (use The Fast and the Furious series as an example) would stand alone without the explosions and fight scenes. Lucky Number Slevin would be just as good, if not better, a film without all of that extra added special effects.
I think right off the bat this film gets a bad rap since it’s unfortunately grouped with the recent films about the Iraq War. That’s unfair, in my opinion, since this is a strong, edgy thriller that deserves to be seen as a THRILLER and not necessarily as an anti-war statement. Tommy Lee Jones plays a father who, at the start of the film, finds out his son, recently back from the war in the Middle East, is missing. Yes, much of the film does deal with the war, since Jones has to find out what happened to his son while he was over there and if it is at all connected to his disappearance. But, most of the story just has Jones searching for the truth and finding bits and pieces of facts and fictions and putting them together to get some answers. Yes, the story has holes, but based how badly this film was received, it was MUCH better than I thought it would be. So, ignore the propaganda – and just enjoy the movie.