Splendid comedy remake of Ben Hecht play The Front Page with Cary Grant as a conniving editor, Rosalind Russell as a star reporter (and Grant’s ex-wife), and Ralph Bellamy as the mama’s boy Russell is trying to marry amid a hot murder story. Terrific character actors and sharp, witty dialogue add sparkle to this must-see comedy. The frantic comic banter between Grant and Russell changed the face of comedy filmmaking. After this film, comedies became more biting and cynical, with characters not afraid to “pretend” they hate each other, even though they really are madly in love. This initial hatred allows for some great nasty dialogue, which has never been better than in this film, directed by Howard Hawks.
Posts Tagged: snappy dialogue
Of the four films Cary Grant and Katharine Hepburn made, Bringing Up Baby is the most fun. It’s the wildest and craziest movie made by the pair and even one of the screwier of the screwball comedies ever made. Hepburn plays a flaky—I mean REALLY flaky—socialite who scientist Grant gets involved with after a series of unfortunate mishaps. All Grant really wants to do is get money for his museum from Hepburn’s aunt (he doesn’t know it’s her aunt in the beginning). And, after falling for him early on, Hepburn does everything she can to make sure he doesn’t leave her. Even though Grant and Hepburn and just delightful here, much of the snappiness of this film should be attributed to director Howard Hawks, who sharpens his talent for screwballs here (which will help him out considerably in 1940’s His Girl Friday). Previously more know for serious dramas, Bringing Up Baby is only Hawks’ second comedy. If you in the mood for a mild comedy, look elsewhere, because this one is super-zany and very raucous.