What is there to say about Hyacinth Bucket???? She’s very fashionable. She’s cultured. She’s meticulous. She’s clever. And she drives people CRAZY! Hyacinth Bucket (pronounced Bouquet, please) is a married woman living in what she feels is a superior home in an inferior area. She drives her neighbors to insanity, her husband to drink (well, not really), her sisters and brother-in-law to drink (really), the postal worker and the milk delivery person to hide, and everyone else around her to run in the opposite direction when she’s in the vicinity. But, is Hyacinth aware of all of this? No…she thinks she’s loved and admired — for her class and her breeding and for her impeccable taste and for her Royal Doulton with the hand-painted periwinkles and her INFAMOUS candlelight suppers. Patricia Routledge excels here as the ever-perfect, ever-annoying Hyacinth. She is able to make this over-the-top character likable even though it’s usually hard to love Hyacinth. She’s the woman you hate to love, but just can’t help it. And even though it’s the writing that creates a character, the actor is the one to pull it off seamlessly, which Routledge definitely does here.

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There are just some things that make people laugh. And, no matter how many times I watch it, Fawlty Towers is my thing. I finally had to buy the set since I don’t think I’ve ever really seen an episode uninterrupted since I’m always in fits of giggles. Shot in the mid-to-late 1970s in England, this show is a true cult classic…still on public television late at night sometimes and still has a VERY loyal, avid fan base…both in Britain and around the world. The premise all stems from the B&B in Torquay, England run by a husband and wife team, Basil and Sybil Fawlty. There is the flighty receptionist, the temperamental chef, and a whole cast of guests who are not exactly getting the best service possible. Only 12 episodes were produced but each of them is funnier than the next. Yes, humor is relative so what I find funny, you might not. But, give this one a try. Chances are, you will, at the VERY least, find it entertaining.

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Edina and Patsy, the two main characters of Ab Fab are two of the funniest, rudest, crudest, most vulgar ladies ever to hit the TV screen. And, I love every second of it. Somehow, they both convey a sweet, sensitive side…mostly because of their tight, though highly dysfunctional, friendship. They are former Hippies who never really “out grew” the 1960s…they still think they are flower children, yet somehow they woke up in 40-50-year-old bodies (in Patsy’s case, we don’t know how old she REALLY is). Ab Fab is a British institution. It has been trying to become an American one as well, almost since it started in 1992, but it has never gotten off the ground. And if you don’t mind my two cents on why… The British, though considered stuffy and aloof (wrongly, most times), have a sense of humor (or humour) that is unexcelled in its weirdness, raunchiness and general chaotic cleverness. When The Office show appeared here, I was nervous, because the British counterpart that was such a success was nasty…really, really nasty. It made me feel uncomfortable with its unabashed humor. But, the American version has changed into a lighter comic romp…more of a skit show than a dark, devilish one. Changing Ab Fab under those same guidelines would ruin it. No question about it. You soften the characters, take the edge away, not to mention the chain smoking, drinking and harsh dialogue, and what do you have left…Roseanne? Or some similar lame sitcom that has nothing to do with the British show? Americans are not ready for Edina and Patsy. We would want to tone it down…people would not allow the smoking…and the sex talk, well “let’s put it on cable.” Even on cable, shows with certain edges have hard times finding their audience. Basically, what you and I will have to keep doing is watch the DVDs or find it on BBC America. Trust me, it’s worth all of that work.

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When I first saw this one years ago, I thought it was too much of a farce…too over the top…too silly. But, re-watching it, I am able now to see it’s fine details as one of America’s great broad comedies. Cary Grant is at his wackiest here…as the nephew of two matronly ladies who have begun an unusual pastime…murdering lonely old men and having them buried in the basement. We’ve all seen (and loved) Grant do screwball…but this is pretty much as slapstick as comedy can get. He’s physical and very expressive…perfect for this role as the befuddled nephew of these two crazy killers. Directed by Frank Capra, I think one of the reasons this one took a while to sink in is because it’s almost TOO over the top. But, I guess as I’m getting older, I find the need for more and more comedy. And this one will sure satisfy that need!

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