What is it about this movie that makes me so uncomfortable? Is it the continual mentioning of racial issues? Is it Selina, who is visually handicapped? Is it the way Selina’s mother treats her? Well, it is all of the above…and more. This film is a striking piece of 1960s cinema…in the heart of the Civil Rights era, it demonstrates much of what Dr. Martin Luther King Jr. and others preached…that we are all human—black, white or whatever. It also shows how truly colorblind love (all kinds of love) can be. Selina plays a very emotional abused and used blind girl who happens to encounter a distinguished Black man one day in the park. She, of course, cannot see that he is Black. He can see that she is White, but befriends her since he feels completely sorry for the situation she lives in. Yes…a Black man feeling sorry for a White girl in the 1960s. Well, like I said, this movie is about being truly BLIND to color. It’s about the human condition and the soul of a person, rather than the race. The platonic love Sidney Poitier’s character feels toward Selina has nothing to do with her being White. And, the romantic love Selina feels toward Poitier has absolutely nothing to do with his color, since she doesn’t even know what he looks like. A fabulous film about how racial and social situations matter very little compared to matters of the heart.
Posts Tagged: Shelley Winters
Evil Robert Mitchum comes to a small, sleepy town posing as a preacher to try and win over the hearts and bank accounts of unsuspecting ladies, preferably the desperate ones. Enter Shelley Winters with no husband and two kids, making the perfect target. The best thing about this movie is Robert Mitchum. Normally a good actor who is able to play any kind of role (cowboy, cop, soldier, good guy, bad guy, etc.), this movie took the “bad guy” role to new heights. Here his devilish acts focus around children. Even with a subject matter that can be very touchy, Mitchum gives this role his all. The end result is one of the creepiest, meanest and most ruthless characters in American cinema.
Based on Theodore Dreiser’s classic novel, An American Tragedy, director George Stevens weaves a tale of love, sex, money and the trappings of all three. Montgomery Clift stars as George, a young man with dreams of power and success, but who has lived his life in a lower middle-class environment…up until now. He decides to “hit up” a distant, very prosperous relative for a job and once he gets his foot into the door of the life of luxury, there is no turning back for him. Elizabeth Taylor shines in her role as Angela, a beautiful socialite who falls for George, almost as hard as he falls for the life of extravagance. Clift really brings George and all of his greed and passions alive here. In some movies I always found him kind of stiff. But, here he’s so determined and tragic…yet sympathetic at the same time. Look for Shelley Winters in a key role as George’s non-upscale girlfriend…this is one of her first big roles and she does a brilliant job of capturing the desperation of her character.