moneyball-march

The Ides of March and Moneyball are two relatively recent films in which Philip Seymour Hoffman did not star, but rather provided crucial, essential and, as always, very strong supporting performances.

The Ides of March is a film that George Clooney not only stars in but that he also co-wrote and directed. And, really, he’s not the star here. Like Hoffman, Clooney is just a supporting player here. At the heart of The Ides of March is the Ryan Gosling character, Stephen Meyers. Stephen is the crux of this story. He is the pivot which all of the other action and characters revolve around. Stephen is a deputy campaign manager for a presidential candidate (Clooney) who at first seems untouchable. But soon, skeletons appear peeking out of the closets. Stephen finds himself caught in the middle of a potential scandal that could bring down both the campaign and his own career. Philip Seymour Hoffman plays the candidate’s senior campaign manager. His time on screen is limited, but as always with Hoffman, his performance is larger than life and full of passion and vigor.

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I loved this movie. Really. It’s quirky and silly and sweet and innocent and charming and disturbing and great! In the vain of films like The Straight Story, this film relies on its uniqueness to reel you in. But, unlike other quirky films, the charming qualities of the characters kicks in and wins you over completely…just like “Bianca” wins over the hearts of all of the townspeople of the small, Northern town. Ryan Gosling plays Lars perfect here…and it’s a tough role to tackle. He has to be low-key and expressionless at times when others aren’t. He has to completely “buy” into what he’s selling, no matter what. But, he has to avoid going too far in the opposite direction with the low-key behavior. Basically, Gosling becomes Lars here…just as the supporting players come to embody their personas as well. You might cry, you might laugh, but most definitely you will smile at this lovely film.

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