Random Harvest could be called a sappy soap opera that is virtually unwatchable. It could be, but in my opinion, it’s most definitely not that. This is a highly powerful and engaging film with…yes, some very improbable circumstances. But, so what? If the acting weren’t as good as it is, maybe this one would have fell into that pile of melodramatic mush. But because Greer Garson and Ronald Colman are so believable and passionate here, I find it impossible not to enjoy the ride. Colman plays a man who has lost his memory during combat duty in WWI. At the beginning of the movie, he is in a mental institution. Garson is the woman who befriends him after he escapes. Of course, Colman and Garson fall in love and then, through a series of circumstances, he regains his memory…forgetting all about his life with Garson. Yes, I know it sounds illogical but trust me, it works…mostly because of the performances. Garson and Colman take the slightly over-the-top dialogue and bring it back into reality. They are both fabulous here…as is the entire movie in general. A great old-fashioned love story for a cold Winter night…or even a hot Summer evening…!
Posts Tagged: Romance
A little bit of French Kiss mixes with the screwball elements of The Valet and The Closet for a fun, wild romp in this romantic comedy set in the French Riviera. Audrey Tautou stars in this fabulously funny film about a woman looking less for love and more for money in a beau. Being devastatingly beautiful helps her snag some rich gentlemen, but it also snags her a bartender, whom she mistakes for a wealthy playboy and he does little to correct her misperception. From there, the two set about together trying to out-do each other in the “rich” loves department. The bartender, who was hilarious in The Valet, is played by comic French star Gad Elmaleh. Between Tautou and him, they make the movie…his expressions of terror and her naivety make for a highly entertaining film.
A classic love story, based on the award-winning novel by A.S. Byatt. Told in both the present time and Victorian times, Byatt’s story and characters leap off of the pages and director Neil LaBute captures that same vividness in the film. Aaron Eckhart and Gwyneth Paltrow play academics in modern-day England and while they research the relationship between two historical lovers, they fall in love themselves. LaBute does a great job of combining the past and present elements throughout the movie—scenes go seamlessly from historical times to the present day. LaBute lends equal time to both eras, allowing each love story to evolve in its own way…at its own pace. Beautiful scenery and lush dialogue enhance the emotions of this timeless love story.
Robert Mitchum does not get more broody than in this film noir classic. He’s hired by wealthy Kirk Douglas to track down Douglas’ wife. Once Mitchum finds her, he is enamored and falls in love. She, of course, turns out to be a true Femme Fatale and it all spirals downhill from there. Remade in 1984 as Against All Odds, this classic features Mitchum in one of his most complex performances. He has to be everything in this movie…loving, scared, scorned, troubled, etc. And he plays all of the emotions with his classic “shrug-of-the-shoulders” demeanor. A must see for any film noir fan.
The structure of Out of Sight is anything but conventional. There are more flashbacks here than in any movie I can think of. But, somehow, it works. It is not overly confusing. It is not disturbing to the plot. And the way director Steven Soderbergh compiles the shifts in time, it all makes perfect sense. The plot deals with a prison escapee Jack Foley (played by George Clooney) who meets a US Marshal (Jennifer Lopez) while escaping and after a clean getaway, cannot stop thinking about her…and vice versa. Jack continuously puts himself in situations where Karen, the Marshal, could take him in. But, Jack just cannot help himself. And neither can she. He calls her at home. She fantasizes about him. If they do get together, Karen knows that at the end of the day, he’s a wanted man and she’s a member of the US government. Just as Jack knows that if he takes the risk of seeing Karen, it could backfire and she could arrest him. Or it might not…. Regardless, these continual dilemmas make a very satisfying film…with equal elements of comedy, crime and the all-important romance.
Who knew that lighting two cigarettes at a time would be so romantic? I guess Paul Henreid knew, since he did that for Bette Davis in this film. That scene is just one of many tributes to their characters’ love and affection for each other. Davis plays frumpy and wealthy Charlotte Vale, whose mother has a hold over her so strong that Charlotte has a nervous breakdown. While recovering, she also undergoes a physical transformation that takes her from an awkward gal into an elegant, sophisticated woman of the world. Yes, it’s a little cliché and “convenient but Davis makes her character’s sudden transformation work. Charlotte’s relationship with unhappily married Henreid soon becomes the focus of the film and even once Henreid is out of the picture, Charlotte is never able to put him out of her mind. A tour-de-force by Davis, who did many good films, but few as moving and sentimental as this one.
I liked Mostly Martha, so it’s always hard when a film that was good to begin with gets the remake once-over. It happens quite a bit with older films…many black and white. I guess Hollywood feels the attention span of movie-goers is about 30 years or less. But, what’s usually really frustrating is when a RECENT foreign film is remade into an English film. Um, excuse me, we CAN read subtitles, you know! So, here we go with another contemporary film…this time a very well-received German film…that is getting the Hollywood touch so Americans can go to the movies and not have to spend two hours READING. The horror, the horror! And, I’m not even that big of a fan of foreign films! Imagine how insulted staunch devotees of international cinema are!!!!! All that aside (is that possible after my rant?), Catherine Zeta-Jones plays a tough, temperamental chef who runs her NYC restaurant kitchen like clockwork until her sister dies and she’s left with the responsibility of raising her niece. Enter Aaron Eckhart as a replacement chef and more than just cooking fires begin to heat up. This is a sweet, touching film…more than just your average romantic comedy. It has edge and some truly poignant moments between the Zeta-Jones character and the young girl. Is it better than Mostly Martha? Well, no. But, I honestly didn’t expect it to be. It is a remake after all.
Silly but stylish comedy about a young ditzy girl from a ditzy family who, during a charity scavenger hunt, meets a “forgotten” homeless man. The man plays along with the scavenger hunt gag and allows himself to be turned in as the grand prize. To reward him, the young girl makes him the family’s new butler. Of course, everyone knows what is going to happen – somehow the unlikely duo will fall in love and, not to ruin it for anyone, the “happy endings” cliché does occur here. But, leading up to the ending is a film filled with fun, mostly because of the true comic genius of Carole Lombard. The chemistry between her and William Powell’s “forgotten” man allows the audience to believe that fantasies like this do come true. When you hear the word “screwball,” what/who do you associate with that word? After seeing this quintessential “screwball” comedy, you will think of Carole Lombard every time.
Good old Eliza Doolittle with her flowers in Covert Garden Market…she’s so seemingly content in her existence on the steps of the famed London opera house. Then, along comes Professor Henry Higgins and turns her simple world upside down. From the classic play Pygmalion by George Bernard Shaw and then adapted into a musical production by Lerner and Loewe, director George Cukor masterly takes hold of the big screen version, making Eliza, Professor Higgins, and all of the rest seem as fresh as the day Shaw originally penned them. Audrey Hepburn as Eliza caused quite a bit of controversy in the day. Julie Andrews, who originated Ms. Doolittle on the stage, was seen by Hollywood execs not to be “Hollywood” enough for the starring role. So, very Hollywood Hepburn was brought in as a replacement, along with professional-dubber Marni Nixon singing the songs for her. Rex Harrison was able to reprise his stage role of Professor Higgins (I guess he was “Hollywood” enough, or at least would not take no for an answer) and he did manage to “sing” his own songs. As in the stage productions, Harrison got away with his lack of singing talent by doing more of a “melodic talking” to music. Regardless of all of the hoops that were leapt through along the way, the end result is one fabulous film. And, even though I’m sure Andrews would have been great in the movie, Hepburn just shines here, as if Audrey and Eliza were one in the same. Isn’t it Loverly???
My soft spot for this one is that I love Beatrix Potter’s books. And I’m heading to the English Lake District this year on vacation…hoping I will love it as much as I think I will. Aside from that, is this an accurate film of Potter’s life? Um, not by a long shot. But, it is a charming, sweet film that, on its own, stands as a wonderful love story. Renee Zellweger again (as she does in the Bridget Jones movies) plays a great Brit — aside from perfecting the accent, she has the slightly aloof manner down pat. Here, she plays Potter as a woman ahead of her time…independent, aggressive, disobedient and defiant. If you’re looking for a film to watch with the whole family, look no further. If you’re looking to write a biographical report on Beatrix Potter, keep looking.