First of all, I don’t want to give the impression I am pitting these authors against each other. Anytime I see “vs.” between two names, I think of an anticipated boxing match. My goal here is to compare, non-violently, these two historical romantic suspense authors and help readers decide if one or both of these authors are for them.
First, Deanna Raybourn, who I have loved since her first book featuring Lady Julia Grey, Silent in the Grave, is an author with an exceedingly light touch. A light touch in writing style…a light touch when it comes to Lady Julia and a light touch when it comes to the story. Nothing ever gets too dark or threatening here. Even when Lady Julia or another character, such as her P.I. husband Nicholas, encounters a dangerous and potentially fatal situation, Raybourn always shines a little air of affability into the mix. Saying that, this does not mean I do not savor everything Lady Julia does. I do and I try my best to wait patiently for her next book. All I’m saying is that there is no sense of continual doom with Raybourn like there are with some suspense writers. She keeps it light…and I keep reading.
Onto Tasha Alexander, who I first discovered at a mystery writer’s conference where I bought a book and had Alexander sign it based on hearing her speak. But, the book sat on my shelves for over a year until Julia Keller, the Chicago Tribune’s Cultural Critic, wrote a piece on Alexander (December 4, 2011, Arts and Entertainment) for Keller’s LitLife column. So, I got the book, A Fatal Waltz, out, dusted it off and began, quite pleased I did. Unlike Raybourn, Alexander’s writing style is a little more refined, a little more literary. I hesitate to say more polished, since I think Raybourn is a good writer, but Alexander’s entire style does enhance the affluent world that her main character, Lady Emily Ashton, lives in. Both Raybourn’s Lady Julia and Alexander’s Lady Emily are wealthy Victorian London crime-solving ladies, but the way Alexander writes her tales includes the required upper-class effect. Does this mean I like Alexander more? No. It means that when I’m looking for something lighter, I will reach for Raybourn and Lady Julia. When I am ready for something more meaty and more challenging, I’ll pull out another Alexander and Lady Emily.
Both writers create fiercely strong ladies who enjoy solving crimes, even though it’s highly unladylike in late 1800s London. Both writers weave compelling stories that hold the reader’s interest from start to finish. Basically, both writers excel in this genre (or is historical romantic suspense a SUBgenre?). Try both and see for yourself.

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Lucy and Nate kiss under the famed Venice “Bridge of Sighs” which has years of legend and mysticism about it, saying anyone who kisses under it is sealed for a lifetime.  After the couple loses touch, years later they reconnect.  Can the legend be true?  At first, Lucy thinks it might be, but then things change.  Not deep (it is chick lit after-all), but one of the better new chick lit authors I’ve read in a while, even though it gets a little silly towards the end.  And when the “mysterious” artist Lucy is trying to win over (she works for a NYC art gallery) is named ARTSY, ala Banksy, I almost lost the faith.  But, my persistence paid off with a rewarding ending.  Overall, this one is LOTS of fun and VERY sweet. 
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OK — I LOVE this series but some of the more recent ones of the series have been just so-so. As with all of them in the Lady Julia Grey series, Raybourn pairs Grey with her now-husband, private investigator Nicholas Brisbane, who is trying his best to control Julia’s wild and un-ladylike impulses. In this book, Brisbane and Julia find themselves embroiled in a murder inquiry where psychics and séances are par for the course. Naturally, their lives are in perpetual danger as they do their investigating, but that never slows them down much. Since they are now married, the sexual tension has been replaced by a type of fun, bickering tension…Brisbane is always worried about Julia…Julia is always upset he does not include her in his investigating. Yes, it sounds a little tedious, but somehow Raybourn makes it work. The first one in this series, Silent in the Grave, is still the best, but this one is a close second! I’m glad Raybourn is back in top form!

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