The third and last (?) in the Richard Linklater directed and Julie Delpy/Ethan Hawke starring series, Before Midnight again features more dialogue and banter between characters than plot. But, after three movies, we are used to that and we know these characters so well, we pretty much know what they are going to say and do. Not that this is a good or bad thing…but it’s comfortable. Like an old pair of slippers, these films have charmed us, endeared us, and romanced us. A little refresher on the series: Before Sunrise (1995) is set in Vienna and has Jesse (Hawke) and Celine (Delpy) meeting on a train and taking a risk by spending the whole day with each other. They talked and walked and laughed and talked and walked and laughed some more. As they fell in love, so did we with them.
Posts Tagged: Romance
First of all, I need to say that I am an Edith Wharton fan. She is probably my favorite author ever. So, stating that, I really, really loved this book, which is historical fiction about her life…and somewhat about her work.
The novel is told from the point of view of both Wharton herself and Wharton’s assistant/secretary/confidant Anna, who was more like a mother to Edith than Edith’s own mother ever was. Aside from being a friend and constant companion, Anna helped Edith with her writing…by typing her pages but also by offering her tips on story structure and character development.
Though Anna is technically a servant, Edith and Anna are quite close…but when Edith begins to stray away from her marriage into the arms of another man (who Anna believes is a cad and a gold-digger), Edith begins to question Anna’s loyalty.
An adorable, fun film starring two of my favorite unsung actors…Myrna Loy and Melvyn Douglas. Loy stars as a single lady who pretends to be married to keep all unwanted suitors away…one in particular. Through a series of comic events, Douglas begins passing himself off as her husband, who was supposedly away on business. Myrna Loy has never been better than she is here. She is vibrant and full of life. She is constantly irritated at Douglas’ character, even though we know she’s madly smitten with him at the same time. And Douglas, who always has a knack for comic timing, is spot-on here as the goofy, long-lost hubby. The chemistry between both of them is perfect and sure to please all. I had seen this film once ages ago on Turner Classic Movies and wanted to re-watch it instantly. Unfortunately, it was never put on VHS (at least not that I could find) and took a while coming out on DVD…so now that it is out, please do yourself a favor a check it out!
First of all, I don’t want to give the impression I am pitting these authors against each other. Anytime I see “vs.” between two names, I think of an anticipated boxing match. My goal here is to compare, non-violently, these two historical romantic suspense authors and help readers decide if one or both of these authors are for them.
First, Deanna Raybourn, who I have loved since her first book featuring Lady Julia Grey, Silent in the Grave, is an author with an exceedingly light touch. A light touch in writing style…a light touch when it comes to Lady Julia and a light touch when it comes to the story. Nothing ever gets too dark or threatening here. Even when Lady Julia or another character, such as her P.I. husband Nicholas, encounters a dangerous and potentially fatal situation, Raybourn always shines a little air of affability into the mix. Saying that, this does not mean I do not savor everything Lady Julia does. I do and I try my best to wait patiently for her next book. All I’m saying is that there is no sense of continual doom with Raybourn like there are with some suspense writers. She keeps it light…and I keep reading.
Onto Tasha Alexander, who I first discovered at a mystery writer’s conference where I bought a book and had Alexander sign it based on hearing her speak. But, the book sat on my shelves for over a year until Julia Keller, the Chicago Tribune’s Cultural Critic, wrote a piece on Alexander (December 4, 2011, Arts and Entertainment) for Keller’s LitLife column. So, I got the book, A Fatal Waltz, out, dusted it off and began, quite pleased I did. Unlike Raybourn, Alexander’s writing style is a little more refined, a little more literary. I hesitate to say more polished, since I think Raybourn is a good writer, but Alexander’s entire style does enhance the affluent world that her main character, Lady Emily Ashton, lives in. Both Raybourn’s Lady Julia and Alexander’s Lady Emily are wealthy Victorian London crime-solving ladies, but the way Alexander writes her tales includes the required upper-class effect. Does this mean I like Alexander more? No. It means that when I’m looking for something lighter, I will reach for Raybourn and Lady Julia. When I am ready for something more meaty and more challenging, I’ll pull out another Alexander and Lady Emily.
Both writers create fiercely strong ladies who enjoy solving crimes, even though it’s highly unladylike in late 1800s London. Both writers weave compelling stories that hold the reader’s interest from start to finish. Basically, both writers excel in this genre (or is historical romantic suspense a SUBgenre?). Try both and see for yourself.