What do they call you? Well, if they call you Mr. Tibbs, watch out. One of the many films of the 1950s and 60s that Sidney Poitier did about race, this one would have to be the best…mostly since it is by far the most powerful. With the films The Defiant Ones (1958) and A Patch of Blue (1965), Poitier had cemented himself as one of the finest actors in American cinema – black or white. With this film, made in 1967 and directed by Norman Jewison, Poitier takes his acting to the next level…sheer power and passion. Also in 1967, he made another “race” based classic Guess Who’s Coming to Dinner. That film, though emotional, does not hit at the anger and the murderous rage that racial issues bring out in some people…especially some from the mid-20th Century South, where In the Heat of the Night is based.
Posts Tagged: racist
No Way Out is a hard film for me to watch. It is raw and unrelenting in its depiction of racism in the 1950s. The n-word is tossed around very casually and other derogatory words and stereotypes as well. So, wondering why I love this film so much? Well, just as it’s tough to watch, it is also essential to watch, especially for someone like myself who did not grow up with that level of intense racism. This film teaches tolerance and acceptance. It shows that the difference between black and white (or whichever color) are inconsequential and even non-existent. For its time, this must have been a much more shocking film that it even is today…I mean I was “shocked” at some of the racist language, etc. but in 1950, I’m assuming the level of shock was concerning different aspects of the film. Like the fact that Sidney Poitier plays a doctor. Black physicians are commonplace now, but in the early 50s, I’m sure they were not filling the halls of medical schools. The message of this film is essential, though, so matter what your shock value, try your best to put it aside. It’s a must-see example on how ignorance and intolerance can drive a person to ruin and about how a by-gone era and mentality (thankfully) viewed successful African Americans and the people who persecuted them.