It’s hard to say I loved The Hurt Locker since it is such a disturbing and brutal movie. I will most likely never watch this film again. It’s not the kind of movie you want to re-live over and over again. And, it’s also not the type of film I would usually be drawn to. But, all I know is that I felt moved after seeing it…and that it affected me more than any film has in a long time. I think one of the reasons I was drawn to this film was that no matter what the subject, no matter how brutal or violent, good filmmaking is universal and stands out over all of the hype and other elements of the plot or story. The Hurt Locker is filmmaking at its finest. Never having been to war or even war-torn areas, this film is what I, as a naive civilian, imagine combat to be like. It is gritty and dismal and bleak and, at times, boring. There are men quarreling and having everyday personality issues like you and I do in the workplace. There are anger issues and missing family. There is death. Unlike some war films where the action and personalities of the soldiers and even the violence seems contrived, this film just seemed, to me at least, authentic. Revolving around soldiers in a bomb disposal unit in Iraq, the main character here is reckless and careless. But, he’s good at what he does so others around him are able to mostly excuse his free and easy behavior, especially because they do not want to do what he does. He’s the one who puts on the protective bomb gear and gets up close and personal with bombs. He might be a rebel, but in his dangerous job, rebellion is more of an asset at times than a liability. Like I said, I have no military experience so this feeling of authenticity is not based on anything specific…it’s just what I felt as I was watching the film—that this what be what it is really like over there. Then, on top of the intensity and drama of the film, The Hurt Locker also morphs into a thriller. As nail-biting (probably even more so) as any thriller made in Hollywood today, this war drama will not let up…even after the credits start to roll. With so many trite, predictable films being made today (some even about the war in Iraq), The Hurt Locker stands out among not only other war dramas, but among all other films.
The Hurt Locker: directed by Kathryn Bigelow and starring Jeremy Renner and Anthony Mackie. The Niles Public Library owns copies of this title on DVD.

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The quintessential Cary Grant comedy pegs him with Myrna Loy and what a team they make. Grant plays a frustrated NYC husband who according to the opening narration by Melvin Douglas (who plays Grant’s best friend and lawyer), “makes $15,000 a year” as an advertising executive. For 1948, that puts this family in the upper-middle class range, which, I guess, is why Grant yearns for more space than he, his wife and their two daughters have in their cramped Manhattan apartment. So, he gets the idea to move. And that is where the fun begins. Not the film to see if you are moving soon or especially having a new home built, but one to watch when you need something for a few easy laughs.

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