A fun film about some haphazard thieves who happen upon a small town in Texas and become attached to it and its residents. The thieves have just escaped from jail and the small-townspeople mistake them, through a series of misunderstandings, for a gay couple. Of course, this town is conveniently having a beauty pageant and, of course, who wouldn’t be better than the new gay couple to host the pageant. It is a completely entertaining, enjoyable film that will definitely put a smile on your face. Steve Zahn is used to playing quirky, unusual characters, but seeing Brit Jeremy Northam, who is used to playing proper, buttoned-up historical characters, as a wild “gay” crook is worth the popcorn right there!
Posts Tagged: mistaken identity
Another slam-dunk performance by Malkovich! Here, he plays probably his most quirky, unusual yet…a combination of different characters…all pretending to be Stanley Kubrick. What???? Yes, you read me right. Malkovich’s character plays a man named Alan Conway…who is obsessed with being known as Stanley Kubrick. Well, in addition to Kubrick, Conway is also obsessed with NEVER PAYING FOR ANYTHING, which he is able to get away with MUCH easier as Kubrick, than as Conway. Set in London in the 1990s, the tag-line for this film is “a true-ish story.” And, that would be pretty accurate…since there WAS a man in London in the late 1990s pretending to be Stanley Kubrick. But, that I believe is where the truth ends. All of Malkovich’s characters I would say are originals. If the imposter really did do some of the things Alan Conway gets away with, I would want to shake that man’s hand. Because Conway does and gets away with the more ludicrous things…they have to have been conceived in the mind of the screenwriter, right? But, then again, the idea of someone posing as a famous film director is pretty much out there already.
One of the best endings in film…not the best movie, per se…or even the best thriller. But, the ending makes the movie payoff. You really do not see it coming…at least I didn’t. Doris Day shines as the tortured wife of an overly hardworking businessman. She begins hearing voices and then starts getting crank calls. Is she making this up to get more attention from her husband? Is she really in danger? And if so, by whom? Being a huge Hitchcock fan, I?m always skeptical of thrillers that try to copy the image and style of the Master of Suspense. Thankfully, I feel this one is not something Alfred Hitchcock would have disappointed with.
A light, comical film that is like a breath of fresh air in the stuffy world of cinema. This one never, ever takes itself to seriously…even with a tremendous cast of some of the finest actresses ever. Yet, it’s not laugh-out-loud funny…it’s a quiet, subtle film that keeps the audience smiling and guessing. Joan Plowright stars as the matriarch of a section of a town in Ireland known as Widow’s Peak, since all of the residents of the “section” are widows. Mia Farrow plays a woman who’s a bit out of her league among the widows but they include her anyway (we later find out why) and Natasha Richardson plays a wealthy American from England whose husband died and left her with money and a streak of viciousness. Plowright plays her air of superiority perfectly…she’s not too over-the-top but she’s just daft enough to make it seem convincing. Richardson is perfect…I honestly did not expect it when she did mean-spirited things…though I bought it just enough as the plot wants us to (since the surprise ending fits all of the pieces together). Mia Farrow, at first, seemed a little out of place to me as an Irish widow, but after watch a bit I totally forgot I was watching an American actress putting on an accent. The entire film is just a pleasure to watch…it’s funny when it needs to be and exciting at times. A true treasure!
Blake Edwards’ directs this comedy about a destitute singer (Julie Andrews) who meets up with a gay, out of work nightclub performer, Toddy. He comes up with a plan for them both to be successful involving her changing her image from a woman to a man to a woman. Complications set in when she falls in love with a mobster (James Garner) who is homophobic and convinced she is a woman. Alex Karris steals all of the scenes he is in as Garner’s bodyguard who is coming to terms with his own sexuality in the midst of this whole mess. Definitely the best film from the husband and wife team of Edwards/Andrews.
Many people consider this one of the most frightening films they have ever seen. I wouldn’t exactly go that far…but for a suspense film, it’s top-notch. Maybe one of the reasons some folks see it as more of a horror movie than a thriller is that the main character is blind and it is a little more dastardly to taunt and threaten a person with a disability of some sort. The blind person, in this case, is Audrey Hepburn, who is quite convincing as a person without sight. You never really think…oh, well she’s just acting. You actually believe her blindness… forgetting that she’s Hepburn and, of course, not really blind. Hepburn’s boyfriend gets unintentionally tangled in a drug smuggling ring and through a series of events, the man looking for his drugs comes after Hepburn. Even though the entire films packs suspense, the finale is the part that really will have you jittering if your seat.
The only way Dustin Hoffman can get work as an actor is to become a woman, which he does to get a role on a soap opera. At first, it is only temporary, but after his character improves the show greatly, they sign him on for a longer stint. When he falls for co-star Jessica Lange (who won a supporting Oscar for her role as a lonely single-mother and actress), he needs to stop the charade…but can he? Directed by Sidney Pollack, who has a small role in the film, as well as a young Bill Murray, who steals his scenes with his dry, deadpan humor.
A modern day Cyrano de Bergerac story starring Steve Martin as large-nosed C.D. Bales, who falls for Daryl Hannah, who falls for Rick Rossovich, who does not know what to say to Hannah or how to say it. Enter Martin, who writes her beautiful letters, saying and meaning things she thinks are coming from Rossovich. This one shines because of the smart, snappy dialogue, written by Martin.
A little bit of French Kiss mixes with the screwball elements of The Valet and The Closet for a fun, wild romp in this romantic comedy set in the French Riviera. Audrey Tautou stars in this fabulously funny film about a woman looking less for love and more for money in a beau. Being devastatingly beautiful helps her snag some rich gentlemen, but it also snags her a bartender, whom she mistakes for a wealthy playboy and he does little to correct her misperception. From there, the two set about together trying to out-do each other in the “rich” loves department. The bartender, who was hilarious in The Valet, is played by comic French star Gad Elmaleh. Between Tautou and him, they make the movie…his expressions of terror and her naivety make for a highly entertaining film.
The structure of Out of Sight is anything but conventional. There are more flashbacks here than in any movie I can think of. But, somehow, it works. It is not overly confusing. It is not disturbing to the plot. And the way director Steven Soderbergh compiles the shifts in time, it all makes perfect sense. The plot deals with a prison escapee Jack Foley (played by George Clooney) who meets a US Marshal (Jennifer Lopez) while escaping and after a clean getaway, cannot stop thinking about her…and vice versa. Jack continuously puts himself in situations where Karen, the Marshal, could take him in. But, Jack just cannot help himself. And neither can she. He calls her at home. She fantasizes about him. If they do get together, Karen knows that at the end of the day, he’s a wanted man and she’s a member of the US government. Just as Jack knows that if he takes the risk of seeing Karen, it could backfire and she could arrest him. Or it might not…. Regardless, these continual dilemmas make a very satisfying film…with equal elements of comedy, crime and the all-important romance.