Yes, it’s a cutsie rom com. We know this because there are two good-looking, youngish people starring in the film and on the cover of the DVD, etc, plus there is instant sexual chemistry, though, naturally, the two do not like each other at first. Your typical rom com fare. Here the good-looking couple who are determined NOT to fall in love are Amy Adams (so irresistibly perky and vibrant) and Matthew Goode (so brooding…doing his best “I do not want to be lovable” routine). The two of them almost make us forget that not only have we “sort of” seen this type of material before, we have seen almost EXACTLY the same material in a 1995 Lawrence Kasdan film, French Kiss with rom con queen Meg Ryan and Kevin Kline. There, Ryan, like Adams, runs off to follow her boyfriend abroad where she meets Kline, a Frenchman, and naturally nature takes its course and soon the boyfriend is forgotten and Kline is the ONE! So, Goode is Irish not French and plotwise, the boyfriend in French Kiss met another woman in Paris and in Leap Year, it’s that said boyfriend hasn’t proposed yet. But, still, they are pretty similar. And, to top that off, I LOVE French Kiss. It’s one of my favorite films from the 1990s and definitely one of my favorite contemporary romantic comedies. And I still like Leap Year, with its copied and clichéd characters, plot, etc.? Yes, I do. Amy Adams and Matthew Goode are so likeable (separately, but mostly together) that we do not care that we already know the ending and have heard much of the dialogue and seen much of the plot before. Another bonus here is Ireland…the lush scenery, the vistas, the gloom and rain… Well, you can’t have sunshine everyday, right? Think again – it’s sunshiny everyday in Romantic Comedy Land.

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When I took screenwriting classes in college, I always wondered if I would make it in Hollywood. One of the reasons I never did is that I do not write like Woody Allen. I’m not always a fan of Allen…most of his recent films have been so-so comedies (with the exception of the unique Melinda and Melinda), but Match Point is one of the best films I’ve ever seen, and most assuredly the best film of 2005, in my opinion. Why? How about this…not a word is out of place and there is nothing extra that should be in the film and nothing that shouldn’t. It’s a perfectly constructed film all the way around, I attest solely to Allen’s writing. The actors are good in their roles but I wouldn’t say that’s what “made” the film for me. Allen just simply has a way of working a story so it seems so easy and so perfect at the same time. It is a neat, clean circle…the story starts off with one thread and that thread runs through the entire film but in a subtle way until the ending, when you realized, “OH, I get it.” The story revolves around a young tennis pro who gets a job at an upper class athletic club and soon makes friends with one of the members…an affluent young man who has both a pretty, demure sister and a beautiful, sultry fiancée. The tennis pro falls for the sister but really falls hard for the fiancée. What happens from there leads to a complex, intricate series of events that keep the audience guessing at every turn. The ending, unlike most films I’ve seen recently, will not disappoint or ruin the masterfulness of this film. What happens right up to the last second will only increase how strong this film is…which is proof of Allen’s genius.

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