Right off the bat I will say it: NOT MY KIND OF MOVIE. But, oh well, it has a great cast so I though I would give it a whirl. And, when it began, I almost said “I told you so” to myself. But, then the plot really kicked in and the characters all came to life right on the screen…and boom, before I knew it, I was hooked. Not by the music (most of which is pretty much the kind of music I like), not by the 60s culture, but by the characters. You REALLY get involved and attached to the characters…all of them. They all have their own quirks that really give each of them panache…and then all of them together give the movie a special touch that resonates with audiences…because they will all know characters like this. In a cast lead by Oscar-winner Philip Seymour Hoffman (the token American), other British actors including Bill Nighy, Kenneth Branagh, Nick Frost and even Oscar-winner and icon Emma Thompson all lend their own spice to add color and vibe to the film that already rock with 1960s British pop. The story is based in reality – in the 1960s, Britain had bans on rock radio stations. So, to get around the law, tons of “pirate” stations popped up all over, most on the waters surrounding the small island. Not that the politicians couldn’t find them, but the bureaucracy just had no grounds to shut these little stations down…until now. But, being a character-driven story, this film is less about WHAT happens and much more about WHO it happens to. Mostly told from the point-of-view of “Young” Carl, a young man who’s been sequestered off on this ship in the middle of the North Sea by his mother in order to learn a lesson, all of the characters become equally dear to us…we love some, we hate some, we empathize with some, with are jealous of some. Make sure you check out this little gem of a film that is part romance, part drama, part comedy, part historical, ALL FUN!

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A good thriller by Kenneth Branagh…who is not your typical “thriller” director. Maybe that’s what keeps this one original—Branagh’s unusual take on the suspense genre. Well, whatever it is that makes this film witty and clever, it works. Set in two time periods, it tells two stories that at first seem mostly separate but then begin to reveal some joint characteristics. The 1940s part is shot in black and white and revolves around a couple who appeared to be madly in love…at least until one of them is killed and the other is accused of the murder. The present-day story (shot in color) deals with a woman who is suffering from amnesia and the private investigator trying to help her. How these stories interweave is the original part. Branagh does a great job of holding off on the suspense until just the right time. But, once it kicks in, watch out!

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