Check out these Joan Fontaine movies at the Niles Public Library:
Posts Tagged: Joan Fontaine
Mon., Jan. 4
Early registration opens for Niles District
cardholders who bring their completed
10-punch film card.
WATCH TO WIN contest begins
Registration opens for all Niles District cardholders
Tues., Jan. 26, 2pm
Rebecca, Not Rated, 130 min
Mon., Feb. 8
PICK THE WINNERS contest begins
Tues., Feb. 9, 2pm
The Lost Weekend, Not Rated, 101 min
Tues., Mar. 2, 2pm & 6pm
My Fair Lady, Rated G, 170 min — SINGALONG
(R) Registration required
Can Cary Grant be a murderer? That is the question director Alfred Hitchcock attempts to answer in this film. Grant plays wandering playboy Johnny Aysgarth who catches the eye of rich, dull Lena, played in her Oscar-winning role by Joan Fontaine. The question that continually plagues the audience, and eventually Lena, is why did Johnny pick her. One of the more obvious reasons is her money, something which becomes almost a given after Johnny pawns some wedding gifts to gamble. The major flaw in this film is the end, but that is not the fault of Hitchcock nor the actors. Hitchcock wanted to remain faithful to the book this story is based on (Before the Fact by Francis Iles) and keep the dark ending, but his producers had trouble dealing with Cary Grant as a murderer. Even with that disappointing final scene, this is still a taut, tense thriller that will keep the audience guessing.
Alfred Hitchcock’s first film made in America, with producer David O. Selznick of Gone with the Wind fame, sealed the director’s fate as an established and successful filmmaker. Rebecca won the Best Picture Oscar in 1940, even though Hitchcock was overlooked as Best Director. This is not to say the film is without flaws. Joan Fontaine is supposed to play the innocent, naïve female lead, but she always seems much too old and sophisticated for the part, even though she does her best to seem demure. Aside from that, the film is a great thriller…one that will stand the test of time as a solid Hitchcock thriller. Laurence Olivier is pretty perfect as Maxim de Winter—we buy him as a tormented man—and Judith Anderson shines as the evil, sinister Mrs. Danvers. And, of course, Hitchcock’s camera captures the right tone and mood from the Daphne Du Maurier novel, allowing us to see Manderlay as a place of both happiness and nightmares.