Adam is a strong film that is tough to watch. I continuously felt sorry for the main character, Adam, who has Asperger’s Syndrome. But, feeling sorry for Adam is part of the story…the script is written so that we do feel bad for him. The film opens with his father passing away and he now lives alone, which is new territory for Adam. Asperger’s, which is a form of autism, prevents him from living a so-called normal life…he has few, if any, friends and he lives his life through habits he knows. When he meets a new neighbor, Beth, his insulated world threatens to either unravel or expand to include her. A touching, sweet film, Adam is part love story and part drama, but no matter which part you prefer, you will admire the strong performances here by both Hugh Dancy, who plays Adam and Rose Byrne as Beth. Dancy’s Adam has more of an edge than other mentally challenged characters of late (Sean Penn in I Am Sam and Cuba Gooding Jr. in Radio). Adam is a hard person to get to know, be involved with, and especially to love and I feel Dancy conveys that difficulty to the audience through his stellar performance. Over-all, it is worth all of the uncomfortability for this one…it’s a great film.

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When I saw Angel Face in a Film Noir class in college, I was stunned. How could a movie be this dark, yet still so appealing? But, that, as I learned more about film, is what Film Noir is all about. Noir movies do not always have happy endings (most of them do not) and they most definitely do not have to have everything throughout the movie be idyllic and cheery. After all, Noir is about life post-WWII…it’s dark and brooding, just like war. So, getting back to Preminger’s masterpiece Angel Face…I mean, this is the man who directed one of my favorite Noir titles (and often referred to as one of the first big titles of the genre), Laura. That film ends with a somewhat uplifting ending. I mean – only the “bad guy” gets it. In Angel Face, forget trying to figure out who’s bad and who’s good and what’s going to happen next because you never will. And the ending…well, let’s just say you will be shocked. Mitchum plays the perfect Film Noir wanderer…he’s searching for something and just might have found it with Jean Simmons, a very spoiled, EXTREMELY troubled young lady with a lazy father and a rich stepmother. Enter Mitchum who Simmons sets her sights and her clutches on. It’s a timeless tale of love gone wrong…with several major roadblocks set up along the way.

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