A dark, yet I’m sure realistic look at Hollywood in the 1950s through the eyes of a director, writer and actress. Kirk Douglas stars as the son of a vicious and unloved Hollywood studio head who even has to have his son bribe people to come to his funeral. His son, idealistic at first, soon has the movie business corrupt and harden him, just as it had done to his father. Told in a series of three flashbacks from each of the main players in Douglas’ life (the writer, the director and the actress), it is a well-done film that didn’t hold back any punches when it came to the truth about the movie business and its players.

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Humphrey Bogart is downright scary in this one…directed by Rebel Without a Cause director Nicholas Ray. Like another Bogart film noir film, Dark Passage from 1947, this is another one that Hollywood didn’t like to make that often…no “happy” ending. Most film noirs don’t end conventionally happy, but they do find some sort of resolution. There is no resolution here…In a Lonely Place ends even darker than it begins. The story revolves around Bogart’s character, who is a struggling screenwriter trying to get back on his professional feet. He has no desire to read the book he’s been asked to adapt so when he meets a young lady who has read it, he asks her to tell him the story…at his apartment. Nothing “bad” seems to happen but the next morning when we find out the girl has been murdered, we really are not sure how innocent Bogart really is. I mean, this is a man out of control. Right from the beginning, we see he has a bad temper and it only gets worse. This is NOT a nice guy, but somehow, due to the director of Ray and mostly to the stellar acting of Bogart, we like him. We feel for him and we WANT him to be innocent, even though we’re not 100% sure he is. One of Bogart’s best performances!!!

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