Now, this is not one of my favorite films ever, but, for a Quentin Tarantino film, it’s very strong…mostly because of its performance by Christoph Waltz as Nazi officer Colonel Landa. It’s a long film, and like Tarantino’s other works, it’s very stylized and very violent. But, it features performances that make it worth seeing and Waltz’s performance, in particular, propels this film from standard-violent-war-movie to an excellent work of cinema. Waltz steals every moment he is on screen…unlike most Nazi characters portrayed in movies (I’m especially thinking of Ralph Fiennes’ cold-blooded killing machine in Schindler’s List), Waltz plays Landa with a sincerity and seeming likeability. We think “what is he after,” since we never know what to expect with this quietly deranged character; his light demeanor constantly keeps us off guard. And Tarantino really does capitalize off of this stellar performance. Landa’s scenes are visually elegant and the cast in scenes with Waltz seem to be pulling out all of the stops to give their best performance to match Landa’s maniacal, yet pleasant chill. As for the movie on a whole, it is a new twist on the WWII years in Europe…told with a strong film and filmmaking element. For movie buffs (like myself), I did enjoy the dialogue between the characters about the movie industry and 1930s directors and actors, etc. And, whether you like that “Hollywood” angle or not, it is something that really has not been touched on in a major way before. The style is unique, as usual for Tarantino, and his brash, bold techniques add to the power and intensity of the film. If you can tolerate the violence, check this one out! It’s a far cry from Pulp Fiction, but it’s a strong film on its own…highlighted by exceptional performances.

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A fine German movie, which had less thrills than I expected, but the story was top-notch. Set in the early 1980s before the Berlin Wall fell, I found this film to be more of a psychological character study of one man and his sense of personal justice. A Stasi (the secret police of East Germany) officer is assigned to spy on a playwright and his actress girlfriend because the playwright is a friend of a blacklisted stage director. When the officer finds out that he might be spying on the playwright for different reasons than he was told, he begins to doubt his assignment. The officer starts to doubt everything he believes in…and finds himself questioning everything in his life. Excellent acting makes this a must see film…which won the Best Foreign Film Oscar.

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The story of Hitler’s last days in the bunker, told through the eyes of his 24 year old secretary, Traudi Junge. Bruno Ganz’s performance as Hitler is absolutely chilling…it never degenerates into kitschy. As a historical drama, it’s accurate, very compelling and well-made. Yes, it’s long, but somehow, the suspense and the pacing keeps everything moving. Another film where you know the outcome (i.e. Titanic, All the President’s Men), but you don’t care — you’re just riveted.

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I honestly didn’t know what to expect here, other than Kate Winslet falls for a young boy. And that is just the tip of this one. For me, this film stayed with me for days…it lingered and I kept thinking about certain issues from the film that the main character, Michael Berg, has to contemplate. It is a movie that gets not only the brain going but it makes the audience wonder, what would I do? I kept wondering even days after seeing the film, did the character make the right decision. What would have happened if he had done this…or that? It is not a perfect film and I found parts of it a little too slow, but for the most part, The Reader is a fascinating exploration into the psyche.

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