A charming tale about legal issues in the Edwardian Era of London…but also a fascinating look at the social graces of the day. How prim and proper everyone is…and restrained — it’s almost sinful (in a VERY reserved say, of course). Based on a true early 20th Century case in London, a young man gets accused of a small crime and consequently expelled from his private school for the alleged deed. Director David Mamet (normally more known for American crime dramas) takes the story (which was first turned into a play by author Terence Rattigan) and brings it and early 1900s London to life. Mamet uses some real locations that the actual case might have taken place in (the Horse Guards, House of Lords, and in Inns of Court) and fills the story with true passion and sincerity. There is tension, humor and romance, but all done with the appropriate levels of Edwardian propriety. Nigel Hawthorne is never better as the family patriarch, who puts everything into his son’s legal batter…even his health. Mamet’s real-life wife Rebecca Pidgeon plays the Winslow sister and the always spot-on Jeremy Northam plays the lawyer who takes the case. Both of these performances are played on the right level…passionate about their causes but perfectly undemonstrative. Edwardians would be proud!

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Based on the bestselling book by Helen Fielding, this story of the classic “singleton” hits both dramatic and comic highs and lows while entertaining throughout. Texan Renee Zellweger strikes the perfect British tone as Bridget, a single, frustrated Londoner who looks for love in all the wrong places. Hugh Grant steals most of his scenes as the devilish Daniel, who once again fits Bridget’s bill as the “wrong” guy. Colin Firth’s Mark Darcy, on the other hand, might very well be the “right” guy, if Bridget would ever realize it before it’s too late. Well-adapted from its diary format, this movie runs the gamut of emotions while never seeming forced or fake, mostly due to Zellweger’s robust and daring performance as the ever-disappointed yet daffy Bridget.

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I wanted to LOVE this movie. After-all, I adored the first installment. So, naturally, I was VERY excited to see this one. And, I have to say, I was let-down some. Not because it’s not a cute, witty film (the first one was extremely witty), but because it’s not AS entertaining as the first. Sequels do have a lot to live up to and this one, like most, falls flat, in comparison to the first. But, looking at the film on it’s own, it is a sweet, funny romantic comedy that has a lot of problems (the jail scenes need to be MUCH shorter) but that basically is a cute, fun film. Starting from where the first film lets off (Bridget just snags Mark Darcy as her boyfriend and she’s no longer a “singleton”), Bridget once again is up to her old tricks. Now that she HAS Mark, she tries her best to “get rid of him” by letting her paranoia get the best of her. Bridget is a very appealing character. She’s like every woman. She’s nuts at time. She’s not bone thin. She makes a lot of mistakes. She’s VERY imperfect. Why Mark (a heck of a lot more perfect than Bridget) would be with her is a mystery but doesn’t every slightly chubby, less than gorgeous woman imagine Mr. Perfect on her arm. It’s a film about watching someone live out her fantasies…and I’m sorry but I wouldn’t mind doing that.

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