Why is this considered a love story? The two main characters hardly even touch until the VERY ending…so doesn’t that make it the antithesis of a romance? Based on Tennessee Williams’ drama, the dialogue says it all here. These two characters, Brick and Maggie, have so much passion…so much desire inside of them, it seems to be eating them alive. Yet, they also cannot be more distance to each other. Their passion is brooding… brewing…boiling under the surface… patiently waiting to explode. It’s more of a simmering romance than we’re used to today and that simmering element, I feel, increases the desire in the audience as well. We are not thrown right into a loving, uncomplicated relationship. We have to get to know these characters and understand them first. And this is fine with us, because they’re Paul Newman and Elizabeth Taylor and we don’t mind having to spend time with them. So, grab a sweetie and pull up a chair for this one. Something just might boil inside of you…
Posts Tagged: Elizabeth Taylor
Based on Theodore Dreiser’s classic novel, An American Tragedy, director George Stevens weaves a tale of love, sex, money and the trappings of all three. Montgomery Clift stars as George, a young man with dreams of power and success, but who has lived his life in a lower middle-class environment…up until now. He decides to “hit up” a distant, very prosperous relative for a job and once he gets his foot into the door of the life of luxury, there is no turning back for him. Elizabeth Taylor shines in her role as Angela, a beautiful socialite who falls for George, almost as hard as he falls for the life of extravagance. Clift really brings George and all of his greed and passions alive here. In some movies I always found him kind of stiff. But, here he’s so determined and tragic…yet sympathetic at the same time. Look for Shelley Winters in a key role as George’s non-upscale girlfriend…this is one of her first big roles and she does a brilliant job of capturing the desperation of her character.
The original 1950 version stars a befuddled Spencer Tracy and a sparkling and beautiful Elizabeth Taylor as the beloved daughter of Tracy’s character. The 1991 version with Steve Martin comes close to the original, but even though Martin is a very solid comedian, no one can master comic confusion like Tracy. He was good at it in the film he starred in with Katharine Hepburn, but in this role he seems more irritated and annoyed than ever, mostly because he can’t stand to see his “little girl” walk into the arms of any other man but his.