For the first time, Woody Allen acting in one of his movies did not annoy me so much that the temptation to turn the film off was almost irresistible. He does not choose, in Husbands and Wives, to play someone who is more neurotic than anyone else in Manhattan. That is not the ONLY reason I enjoyed this film. It is a strikingly open and honest film about relationships. It doesn’t hold anything back and is not afraid to realistically show the anatomy of a break-up, midlife relationship malaise, and the frantic energy of a new relationship. In hindsight (this film is from 1992), it’s a strong subject matter for Allen, who has a young college student fall for his middle-aged professor character. It was not long after this film that Allen, in reality…NOT in the movies, fell in love with his adopted step-daughter. But, leaving that alone, he does an excellent job of being as honest as he can be in this film…as an actor AND as a director. His scenes with Juliette Lewis (the young girl that plays the smitten college student) are filled with frank talk…not with silly dribble that many May-September screen romances sometimes fall for. The other characters’ relationship dialogue is just as true as Allen’s. No one walks away into the sunset in this one. It’s brutal at times, but so is life and love. Right?
Posts Tagged: dark comedy
I had heard of this movie but I wasn’t sure why so many people had been asking for it. So, what I’m saying is that I went in with no expectations. And I came out laughing so hard I couldn’t breathe. This has to be one of the funniest movies I’ve seen in years…close-to-perfect comic writing, timing, acting….everything. Basically, it’s about a hot-shot London cop (Nick) who gets reassigned to a small English village where he thinks he will be completely bored for the rest of his career…but, boy, does he turn out to be wrong. The village police force consists of a bunch of crackpots…one of whom (Danny) becomes Nick’s partner. Some of the repartee between Nick and Danny is just priceless…Danny is quite simple-minded and his slow-wit counteracts perfectly with Nick’s confident policing. When Danny is forced to become a real police officer and fight real crime, the laughs do not stop! I immediately wanted to see Shaun of the Dead, which is the first film written by Simon Pegg (who plays Nick) and Edgar Wright. Sadly, I didn’t like that one as much, but for me, it would be VERY hard to top my Hot Fuzz experience.
Mike Nichols’ controversial film about Benjamin (Dustin Hoffman, in his film debut), a recently out of college lost-soul who begins an affair with his parent’s friend, Mrs. Robinson (Anne Bancroft), just out of boredom. The affair allows him to procrastinate on other important decisions like graduate school and/or getting a job, much to his parents’ chagrin. More problems occur when he falls in love with the Robinsons’ daughter, Elaine (Katherine Ross). This film did as much for the 1960’s rebellion as it did for both the careers of Simon and Garfunkel and Mike Nichols, who earned an Oscar for his cutting edge direction.
Not for the faint of heart, this film is one of the funniest comedies I had seen in years. Frances McDormand won an Oscar for playing very pregnant Marge Gunderson…a fabulous character who is most definitely the sharpest person in the film (though that is not really much of a compliment). Marge is a police officer in Brainerd, Minnesota and she gets involved in an investigation involving kidnapping, brutal murder and theft. The script is sharp and hilarious…and the performances are all right on target. But, be warned…it is a DARK comedy. People die. People kill people. This is the Coen Brothers, after all.
One of the funnier films I’ve seen in a long while. Set during their father’s funeral, two brothers (one MUCH more successful than the other) run the gamut of problems and family issues during the should-be-sorrowful gathering. From the wrong corpse in the casket to an alleged gay love affair, this movie really does have it all. It’s original and well acted…and most of the humor is above board (there were only a few times I wish the filmmakers hadn’t “gone” there). If you like British comedies, you MUST watch this one. And, even if you don’t normally like the humor of the Brits, try it anyway. It’s a hoot!
Peter Sellers stars as Chauncy, who, up until his eviction from his wealthy employer’s home, has never been outside the house, never been in a car, never learned how to read or write, and never learned how to exist without television. When Shirley MacLaine and her billionaire husband take Chauncy in, he becomes a celebrity through some twists of fate. Even though this film is mostly a drama, Sellers’ performance as the naïve Chauncy is so convincing that at times, funny moments surface because of his simplicity. Sellers might have honed his comic skills in the Pink Panther films, but he succeeds here as a serious actor who takes bold chances.
A fledging office clerk finds out the hard way that getting to the top of the corporate ladder is not easy after he falls for a lady he is unknowingly sharing with his boss. Sounds simple, right? Well, it is. It’s not the plot that makes The Apartment a masterpiece…it’s Jack Lemmon, Shirley MacLaine, Fred MacMurray and director Billy Wilder all working together to make one of the best comedies ever. Or is it one of the best dramas ever? Some of the funniest movie moments ever are captured in this film…just as some of the darkest are as well. Before this, Wilder had proven he could excel at any genre of filmmaking…out-and-out comedies, dramas, thrillers, romances, and even other dark comedies (Stalag 17). With The Apartment, Wilder really sealed his mastery of cinema by combining most of those genres to make one fabulous film. Sadly, this is his last great public or critical success. Talk about going out with a bang!
Fun and pure entertainment, this film won not only audiences around the world with its grifts and cons, but it won the Academy over as well, taking home the Best Picture Oscar. Newman and Robert Redford are back together (after Butch Cassidy and the Sundance Kid, along with director George Roy Hill (also a Butch Cassidy alum), for some high stakes shenanigans. The duo play two small-time conmen looking for that one magic job that will move them into the “con” hall of fame and set them up for life. A clever script and great performances by all…including Robert Shaw as one of the con-ees…makes this movie one of the best in its class.
This 1955 British comedy from Ealing Studios may be one of most riotous dark comedies in history. The story starts off easy enough (an old London lady serves as the facilitator of criminal activities for five men until their “perfect” plan goes horribly awry) but quickly turns into a series of farcical errors, most of which end in tragedy. This film seems to use the right combination of terror and comedy to create a funny yet dark tale. Alec Guinness is the main star of the film, even though a young Peter Sellers also appears as one of the five criminals, and the “Lady” played by adorable Katie Johnson does steal the show.