Blake Edwards’ directs this comedy about a destitute singer (Julie Andrews) who meets up with a gay, out of work nightclub performer, Toddy. He comes up with a plan for them both to be successful involving her changing her image from a woman to a man to a woman. Complications set in when she falls in love with a mobster (James Garner) who is homophobic and convinced she is a woman. Alex Karris steals all of the scenes he is in as Garner’s bodyguard who is coming to terms with his own sexuality in the midst of this whole mess. Definitely the best film from the husband and wife team of Edwards/Andrews.
Posts Tagged: cross-dressing
The only way Dustin Hoffman can get work as an actor is to become a woman, which he does to get a role on a soap opera. At first, it is only temporary, but after his character improves the show greatly, they sign him on for a longer stint. When he falls for co-star Jessica Lange (who won a supporting Oscar for her role as a lonely single-mother and actress), he needs to stop the charade…but can he? Directed by Sidney Pollack, who has a small role in the film, as well as a young Bill Murray, who steals his scenes with his dry, deadpan humor.
This film, which made Alec Guinness a star all around the world, still ranks as one of the most popular British comedies of all time. The story is told by a droll, very serious young man, played by Dennis Price, who is being cut out of his royal bloodline by his stodgy, proper family. Even though Price is the MAIN character, Alec Guinness is the REAL star of this film, as he demonstrates his mastery of comedy by playing all eight members of Price’s family. Guinness’ performance is purely genius, especially with the way he changes mannerisms and other nuances for each of his eight characters. Not necessarily a fall-on-the-floor-laughing film, but a great one.
This is one funny film. It is not exactly politically correct and it is also not a perfect film (I just don’t like the son’s character) but all-in-all, it will make you laugh (most likely). A remake of La Cage Aux Folles, here director Mike Nichols weaves a comic web of intrigue, bawdiness, love, sex and scandal…all set in South Beach, Miami…one of the playgrounds of the world. Even though there is a great cast here including Gene Hackman and Dianne Wiest, Robin Williams and Nathan Lane steal the show as gay lovers who own, manage (Williams) and perform in (Lane) a South Beach nightclub. Enter Hackman and Wiest as ultra-conservative parents of young lady who wants to marry Williams’ son. The fact that Hackman is a Republican senator involved in a sex scandal is not helping him feel more charitable. What happens? Well, you just have to watch and find out. But, I warn you, get your funny bone tuned!
When you watch a film that, within the first ten minutes, makes you laugh so hard you can’t catch your breath, it’s a sign that it’s going to be a pleasant cinematic experience. This film, though, knows it’s funny…knows it’s WAY over-the-top…and knows that the audience is either going to love it or be offended by its touchy subject. This “touchy” subject matter deals with three homosexual men…one transsexual and two transvestites. They, for lack of a better term, are drag queens. They get a job to perform several hundred miles from home and accept it…finding a broken-down bus to get them there. As I said, this movie KNOWS it’s dealing with campy material and truly makes the most of it. These drag queens are flamboyant…outspoken…raunchy…not politically-correct by any means (can a drag queen be politically correct?). And the plot and the dialogue cater to this flamboyance. I would almost call this film a musical because of all of the production numbers…some “gay” films try to steer away from the stereotypical ideal that all gay men love dancing and performing, but this film not only doesn’t steer clear from musical numbers, it gives new meaning to the term “outlandish.” Yes, the subject matter is touchy so I guess I should “advise” some to stay away, but I think that it is a film that, no matter what your personal, political, or religious views are, you will still be able to find the humor in it. At least I hope so. My suggestion is that if you don’t like to laugh, just stay clear of this one.
Billy Wilder’s comic masterpiece stars Tony Curtis and Jack Lemmon as musicians who find themselves in the middle of the mob after they witness the St. Valentine’s Day Massacre and manage to escape. To hide themselves, they pose as females in a traveling band, where they meet Marilyn Monroe’s Sugar Cane, the all-girl band’s singer. Arguably the funniest movie in motion picture history, Lemmon and Curtis create comedy in this film just by wearing women’s clothes. But, Monroe, with her steamy, sultry performance, adds more than just cross-dressing humor to make this a well-rounded movie with more than a fair share of laughs.