If you ever are tempted to commit a crime, watch this. I say this, because this British mini-series is, I would say, the strongest piece of material I’ve ever seen or heard of that covers each aspect of the criminal justice system…from police station to trial. But, the accused here, Ben Coulter, does NOT commit a crime. He, which you know from the beginning so I’m not ruining anything, is an innocent victim. Yes, he had a one-night-stand with a strange lady he had just met. Yes, he drank WAY too much. And yes, passed out in her kitchen after having consensual sex with her. After he wakes up and finds her stabbed to death, he panics and flees the scene, has a car accident, where the police are called and eventually find out Ben was the one in the dead girls’ house. We (the audience) know he did not do this. But, the police, lawyers, judges, fellow inmates, and even his parents are not so sure. The evidence is overwhelming. The coincidences are just too insurmountable. He just HAD to have done it, right? Well, step-by-step, each of the pieces is chipped away as the wheels of Lady Justice roll on. Even though the story is set in England, the same principles apply…justice, for all its merits, moves slowly and is not above imperfection.

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GREAT series with a stodgy superior detective who’s assistant seems always to be wrong and/or one step behind. Yes, it’s similar to Morse and Lynley, but the rural setting and the clever dialogue make this one stand-out among the others. I really like the rapport between the senior detective Barnaby and his always second-fiddle Sergeant Troy. For those who love British detective shows, this one is a MUST SEE!

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Dr. Tony Hill is a psychologist. A pretty dang quirky one. He talks to himself. He tries to work out his cases by posing as both the criminal and the doctor. He’s a little strange…but boy is he clever. He plods and thinks and analyzes and examines and will not stop until he has solved the puzzle…always one step ahead of both the criminal and the police. Working with him is Detective Chief Inspector Carol Jordan who has a pretty major crush on Dr. Hill (and vice-versa) but neither will ever let anything happen. They are both too professional for that. But, as a crime-solving duo, they work together flawlessly. DCI Jordan calls Dr. Hill in on special cases…stumpers — mostly multiple murder cases or serial killings. Hill can almost “get inside” or see inside the brain of the killer. In the first case, Dr. Hill gets more than he bargains for when he helps DCI Jordan on a serial killing case and he gets targeted by the killer and captured and tortured. Does Jordan save him in time? Well, let’s just say that the series goes on.

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I’m assuming this is how police work really is…sometimes it’s just waiting around, and sometimes it’s busier than can be. This HBO series goes into the inner-workings of a special task force of police detectives who work on complicated, complex cases…cases that require more time than most police would be willing to give. Season one deals with the tracking down of a drug kingpin in the Baltimore (where the show is set) projects. The entire season of shows is based on this one case…which is also how subsequent seasons are as well. No, it’s not boring…they catch small members of the drug gang and then they just keep working up the food chain until the catch some big fish. It’s intense and riveting and as exciting as any cop show I’ve seen (maybe even more exciting) even though the cast of criminals stays the same. If you like crime stories on TV, this one is a must!

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Ray Winstone embodies what all police want to be. He’s good at what he does. He’s great with the ladies. And he looks cool while doing it all. Vincent is an excellent show that really gets into the persona of the detective. Many cop shows brush on it…but this one gets inside. Winstone is an appeal, loveable yet slightly worn character that makes you wonder why he does what he does. But, when he starts solving crime, it all makes sense, since the puzzle pieces fall into place for him with such ease. A great show!

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A well-made British show about a vice cop who just cannot leave his work at the office. His passion for getting girls off of the streets consumes him…ruining every aspect of his personal and private life. Well-written and extremely well-acted by Ken Stott, who is best known for his work in another British show, Rebus. A must see for anyone crime TV aficionado!

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What a wonderful, eccentric detective Detective Inspector Frost is. He’s a whip-smart guy who never lacks that witty comeback or that well-timed pun. He loathes paper-work and patronizes his boss whenever he has the chance. All in all, a perfect British crime solver. The seasons I watched were (1 and 2, I believe) filled with good mysteries. Ones where you don’t see the outcome right from the beginning, which is good because with those predictable ones, you’re bored a third of the way through. But, regardless of the crimes, Frost would be entertainment on his own. In season one, his wife is ill and eventually passes away. But, during even this tragedy, Frost holds onto his famed “edge” never leaving a missed opportunity for a quick, snappy remark. Some would call that in bad taste. I just call it funny. I mean the character is set-up so you never really do take him THAT seriously. Why would he let us down by getting all serious when his wife is ill. He is serious, though, as a crime solver. That is when he shapes up and means business. But, then again, he does find ample chance to “stick” quips to the criminals. Don’t you worry….

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These are pretty conventional mysteries — you have the brooding, troubled inspector and the quick-witted side-kick, who this time happens to be a woman. It’s like Sherlock and Watson for the 20th Century. And, like most of the Holmes’ mysteries, these are intelligent without being too convoluted. The pacing is not more than the audience can handle…which for me is very important in murder mysteries where there are sometimes are too many characters to keep straight. Here, all of the stories begin with the murder/crime and then the police come in…it works to set a certain standard. Also, the thing that sets this one apart from other detective shows is the chemistry between Lynley and Havers. There are obvious times of attraction but they never seem to be at the right moments. The “do they/don’t they” question adds even more “mystery” to these already strong stories.

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For a British detective show, this one is fun. Having LOVED Patricia Routledge in her acclaimed British comedy Keeping Up Appearances, I was at first hesitant to try this show. I mean, Routledge will always be Appearances’ Hyacinth Bucket to me and watching her play anything else would be silly and pointless, right? Well, Routledge’s acting skills are such that, shortly after I began the first season of Hetty, I soon forgot about Hyacinth and Appearances (at least for the time being). Routledge’s Hetty is a spunky, determined woman who is desperate to fight off senior citizenship for as long as she can. Her husband recently retires and he figures they will live a life of quiet, peaceful rest but Hetty is cagy and unfulfilled by the thought of lazing around in her Golden Years. Instead, she takes a job at a post office branch and while working, she begins to investigate some potential frauds. One thing leads to another and she is well on her way to solving crimes. She enlists the help of a young, wandering teenaged boy who becomes her “assistant” and eventually moves in with her and her husband. Unlike some detective shows where there is a strong “gimmick” factor…the gimmick here being a senior, former housewife detective…the crimes and plots are pretty strong and convincing. The cases she takes on are not fluff, but also in the same token, they are not so unbelievable that no one would ever be able to solve them…not to mention an inexperienced P.I.

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A crusty police detective who is close to retirement age relocates to a small North England town from London, where he still continues to work as a police inspector and gets a new partner instead of retiring. One of the reasons he cannot retire is that he is continually haunted by the brutal murder of his wife…back when he was living in London. Set in the 1960s, the George Gently character seems, at first, like all of the other grumpy, old British police detectives and this will be like all of the other British police series…ala Frost, Morse, etc. But, Gently has an edge that carries through all of the episodes and makes this one stand out among the crowd.

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