A sophisticated romantic comedy directed by George Cukor about a rich, spoiled socialite (Katharine Hepburn) who learns some things about who she is and what she really wants on the eve of her second marriage. Cary Grant co-stars as her former husband who cleaned up his act and hopes to make amends with his ex-bride. Jimmy Stewart (who won his only Best Actor for this role) also stars as a reporter who gets caught up in the whole mess. Definitely the perfect film cast, the three stars do some of their best comic work in his film, especially Hepburn, who rose back to the top of Hollywood after this starring role. Reconceived as the musical High Society in 1956 with Bing Crosby, Frank Sinatra, and Grace Kelly, but this original film didn’t need music to be a fun, entertaining ride!
Posts Tagged: comedy
OK—I know. It’s not the BEST movie ever made. But, it’s just plain fun to watch…in more ways than one. It’s a highly entertaining action caper. You will not be bored at all during this one, trust me. Also, the entire cast is just a pleasure to look at (you can trust me on that one, too). Basically, it’s just two hours of good times and enjoyment. The plot revolves around ringleader George Clooney’s decision to rob three casinos owned by power-monger Andy Garcia. Clooney takes Brad Pitt, Matt Damon, Bernie Mac, Carl Reiner, Elliott Gould and six others along for the ride, including ex-wife Julia Roberts. Based on the 1960 Frank Sinatra/Rat Pack film of the same title, this 2001 movie takes little from the original other than the basic premise (casino theft), the number of players, and the name of the man in charge (Danny Ocean). By adding style, class, glitz, high-tech gizmos, and a lot of good looking people, this Ocean’s Eleven will certainly satisfy your craving for entertainment.
Silly but stylish comedy about a young ditzy girl from a ditzy family who, during a charity scavenger hunt, meets a “forgotten” homeless man. The man plays along with the scavenger hunt gag and allows himself to be turned in as the grand prize. To reward him, the young girl makes him the family’s new butler. Of course, everyone knows what is going to happen – somehow the unlikely duo will fall in love and, not to ruin it for anyone, the “happy endings” cliché does occur here. But, leading up to the ending is a film filled with fun, mostly because of the true comic genius of Carole Lombard. The chemistry between her and William Powell’s “forgotten” man allows the audience to believe that fantasies like this do come true. When you hear the word “screwball,” what/who do you associate with that word? After seeing this quintessential “screwball” comedy, you will think of Carole Lombard every time.
Irene Dunne, supposedly dead, returns after being gone for years to find husband Cary Grant remarried and on his honeymoon. When she goes to the hotel and Grant sees her, his new wife is forgotten about. But, the couple does have other problems, such as Grant finding out that while Dunne was stranded on an island in the middle of nowhere, she was not alone. Remade in 1963 as Move Over, Darling with Doris Day and James Garner, who can’t surpass the superb performances of the Grant/Dunne team. This is the second of three pairings with Dunne and Grant (the first being 1937’s social comedy The Awful Truth and the last was 1941’s tear-jerker Penny Serenade). Of all three films, this one, I feel, gives off the most laughs and chemistry between the two stars.
The quintessential Cary Grant comedy pegs him with Myrna Loy and what a team they make. Grant plays a frustrated NYC husband who according to the opening narration by Melvin Douglas (who plays Grant’s best friend and lawyer), “makes $15,000 a year” as an advertising executive. For 1948, that puts this family in the upper-middle class range, which, I guess, is why Grant yearns for more space than he, his wife and their two daughters have in their cramped Manhattan apartment. So, he gets the idea to move. And that is where the fun begins. Not the film to see if you are moving soon or especially having a new home built, but one to watch when you need something for a few easy laughs.
I have not liked the last several Woody Allen films. I would have to say the last one I didn’t want to turn off in the middle (or even at the beginning) was Small Time Crooks (2000). And, even that one, I only liked…a little. So, when I got Melinda and Melinda, my first thought was, “Why the heck did I put this on hold?” Regardless of the reason, I decided to watch it…mostly since I had no other DVDs to watch at the time. Had this been a week where my coffee table was filled with piles of soon-to-be-due DVDs, I would have probably passed on this one. Well, I’m glad I didn’t pass. The most striking thing about Melinda and Melinda (aside from the fact that it’s actually a funny, original, entertaining Woody Allen film with him NOWHERE to be found among the cast) is the premise, or the gimmick of the plot. Like another film I really liked from 1998, Sliding Doors, Melinda and Melinda’s gimmick is original…involving how ONE plotline pans out in two different ways. Sliding Doors focused on TIME…how a split second of time difference changes the course of everything that happens after. Melinda and Melinda uses a different but just as original twist…the same story told from two different angles—one, a romantic comedy and the other, a drama. The only “like” character in both story variations is Melinda, played in both the comedy and drama by Radha Mitchell. Aside from her, all of the other characters differ in each story, as not to confuse the viewer. In both stories, Melinda is a troubled soul with a good deal of emotional baggage who finds temporary help with a group of friends. I found it fascinating how her personal troubles easily transformed from comic to serious…just by changing some minor elements. Director Woody Allen is able to turn a dramatic character trait of Melinda’s around and use that same trait for comic effect in the other storyline. Pretty original for Allen…and the end result is a funny, touching film that might not be some of Allen’s best work ever but is some of the best work he’s done in recent years.
Based on the TV series, Bret Maverick, director Richard Donner brings to the big screen a Western comedy about a handsome gambler (Mel Gibson), a charming lady con-artist (Jodie Foster), and a lawman (James Garner), all heading for a poker tournament held on a river boat with a $500,000 pot for the winner. Much of the film’s success comes from the biting dialogue from screenwriter William Goldman (of Butch Cassidy and the Sundance Kid fame). Gibson and Foster are purely charming together and Garner adds just enough tension to the film to keep the audience on its toes. Look for Graham Greene in a small role as Gibson’s friend, Joseph, who practically steals the movie and many of the laughs!
This film, which made Alec Guinness a star all around the world, still ranks as one of the most popular British comedies of all time. The story is told by a droll, very serious young man, played by Dennis Price, who is being cut out of his royal bloodline by his stodgy, proper family. Even though Price is the MAIN character, Alec Guinness is the REAL star of this film, as he demonstrates his mastery of comedy by playing all eight members of Price’s family. Guinness’ performance is purely genius, especially with the way he changes mannerisms and other nuances for each of his eight characters. Not necessarily a fall-on-the-floor-laughing film, but a great one.
Not exactly realistic, but a fun tale of a 19th Century duke who travels through time to meet his new wife in the present day. This film reminded me of the classic films of the 1940s and 1950s where believability was not necessarily a requirement. The “un”believeable part is the time-travel element that transports Hugh Jackman’s duke from the late 1800s to the 21st Century. I found myself not even caring that it is the most illogical premise ever conceived (at least, that I have seen). The movie really is not about if you believe in time-traveling. It’s about romance and love and fate and timeless passion. Jackman definitely steals the show as the charming, courteous time-traveler. Liev Schreiber also shines as Kate’s ex-boyfriend who starts the whole time-travel mess in the first place.
Junebug is a hard movie to say whether I liked it or I just felt so sorry for the characters I took pity on the film. The best way to describe it is the call it a slice of Southern small-town American living. It’s basically a story about George, who has moved to Chicago but, on a trip back home, reconnects with his Southern roots. Those roots might have been dormant when he fell in love with and married Madeleine, an uptight, highly educated art dealer, but once George gets back home, those dormant characteristics began to surface….from everything from afternoon naps to singing hymns at the local church’s pancake breakfast. The supporting characters are the ones, though, that made this movie special for me. Amy Adams plays Ashley, a pregnant young woman just starved (I mean REALLY STARVED) for affection and attention. She is desperate to like Madeleine, mostly because she has very little positive reinforcement in her life. Ashley’s husband and George’s brother, Johnny, is a gruff loner who shows more attention to his cars than he does to anyone in his family, especially his pregnant wife. Even though Madeleine and George seem to be at the center of the story, I got more out of the supporting characters and their troubles. The Ashley character alone is so complex in her simplicity that she could star in a movie all her own (which might be one of the reasons Amy Adams got so many raves for her over-the-top yet (at the same time) understated performance, including an Oscar nomination for supporting actress).