This film is another one of the Ealing Studios comedies of the 1950s with their star Alec Guinness in the main role. It begins slower than the others, and a little more confusingly, but then quickly catches up to the usual comic pace of the other Ealing films. Guinness is charming and very subtle as the chemist who creates the perfect clothes fabric. This film is not AS funny as some of the other Guinness films of this period, but it still will satisfy an urge for a good, cute comedy.

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The original 1950 version stars a befuddled Spencer Tracy and a sparkling and beautiful Elizabeth Taylor as the beloved daughter of Tracy’s character. The 1991 version with Steve Martin comes close to the original, but even though Martin is a very solid comedian, no one can master comic confusion like Tracy. He was good at it in the film he starred in with Katharine Hepburn, but in this role he seems more irritated and annoyed than ever, mostly because he can’t stand to see his “little girl” walk into the arms of any other man but his.

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No, NOT the 1993 remake…but rather the 1950 original with William Holden and the incomparable Judy Holliday. This version is a screen classic…winning Holliday a Best actress Oscar and helping build a long career for William Holden. But, Holliday is the true star of this film…with her trademark naïve and squeaky voice, she steals the film…and audiences’ hearts. This is the story of a powerful, wealthy, yet highly unsophisticated man (played with just the right tones of comedy and anger by Broderick Crawford) who comes to Washington D.C. for some business dealings, bringing his not-so-bright girlfriend (Holliday) with him. Thinking she’s embarrassing him, he tries to get her “trained” by a journalist (Holden) on the finer things in life. Everyone in this film, directed by the famed George Cukor, is top-notch, including Crawford, who’s perfect as a rough, tough businessman who needs a lot more “training” than Holliday. But, Holliday is just perfect here as the simple, uneducated girl who falls for her tutor. After Holden begins his training, her pseudo-intellectual talk is some of the funniest dialogue in films. She’s bubbly when she needs to be and serious when that’s called for…never missing a beat. A must for all film comedy fans!

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I remember how excited I was when I got to this one during my “in order” Hitchcock phase as a child. Coming right between Rear Window (1954) and The Man Who Knew Too Much (1956), and the same year as To Catch a Thief, this one would have to be great, right? Well, to a 10-year-old, it was…for lack of a better term, boring. Why? Because it is a dark comedy and the humor, I guess, was over my head. I was expecting another thriller like the ones before and after it. But, instead I got a sweetly innocent story about a small New England town and a newly widowed single mother. Harry, the title character, is/was her husband and the beginning of the film shows his dead corpse lying on the grass under some autumn trees. How, why, and by whom Harry died contributes to both the story and the humor of this tale. And, watching it again as an adult, I liked it quite a bit. It’s sharp and original and clever. But, it’s not Rear Window. Hitchcock didn’t take that many chances throughout his career. He discovered early on that he was good at and liked directing thrillers so he mainly stuck to that. This is one of the few times he deviated and not only does it showcase Hitchcock’s versatility, it also proves he can poke fun at thrillers…in The Trouble with Harry murder/death is pretty dang funny!

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OK — it’s not Hitchcock’s finest hour. But, this is his last film and he was not in the best of health when he made this one, so a little “understanding” is in order here. In 1976, when Family Plot was released, Hitchcock had been working as a filmmaker for more than six decades, had over 50 features under his belt, and was well into his 70s. Not that shabby of a career in a business that does not exactly promote longevity. So, we can forgive Family Plot for not being his finest work…but still a more-than-decent thriller. I don’t want it to sound like I feel Family Plot is an awful film. It most definitely is not. It’s a sharp, clever caper/romantic/psychic thriller that would be a shining moment for any mainstream director. It’s just Hitchcock’s work has held him up to such high standards that a film like this doesn’t exactly live up to his Rear Window or Psycho days. Oh well, getting past all this, like I said, this is a captivating and entertaining film that does have its fair share of thrills and surprises. It has several “Hitchcockian” scenes where the Master comes back to life and uses the camera to increase suspense like the good old days of North by Northwest. Basically, the plot revolves two interwoven stories: one revolves around a psychic who uses her “powers” to scam clients out of money and the other about a kidnapper and his wife. There are some pretty clever plot elements…like the way the kidnappers hide their hostages…and a lot of typical Hitchcock comic relief…provided mostly by the psychic and her befuddled boyfriend who works as her sometimes-assistant and a sometimes-cab driver (even though he claims he’s really an actor). A must for all Hitchcock/thriller fans…but not the one to start with if you want to get the feel of the Master’s best work.

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In this romantic comedy, directed by Alfred Hitchcock, a married couple find out their marriage was not legitimate and they proceed to go their separate ways, as if they were no longer married. Let me repeat that first part again…in this romantic comedy, directed by Alfred Hitchcock. Yes—THAT Hitchcock. The Master of Suspense known for films filled with murders and intrigue did make ONE romantic comedy. So, even though Mr. and Mrs. Smith is not the best comedy ever made, relish it since it is the one and only romantic comedy directed by Hitchcock.

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This is one of the films that sealed Alfred Hitchcock’s destiny early on in his career, along with The 39 Steps. The beginning opens a little confused and disorganized but once Hitchcock moves the action to a train, everything comes into place. The story is simple enough with a woman going missing on a train. The one woman who talked with the vanished lady makes it her mission to find out what happened to this missing woman. All of the tell-tale Hitchcock signs are here…mistaken identity, the “wronged” man/woman, and, of course, a little romance and humor. Some elements of the film almost seem “screwball” in how outlandish they are, but since it is a good story with good characters, we allow Hitchcock to take us along for the ride.

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Perform inCasting Call! the original comedy Fairy Tales: Abridgedthe play where the director goes nuts!  We’re preparing for a free performance at the library on July 19.  We need three more actors to play small but important roles including Cinderella and Prince No. 7.  Rehearsal and performance time can be counted towards community service requirements.  Anyone who is interested should contact Donna at 847-663-6434, or just show up at any of the rehearsals!  We meet every Monday, Wednesday, and Friday from 1-3 pm.  On Mondays and Fridays we’re in the large meeting room, and on Wednesdays in the board room.

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