What is it about this movie that makes me so uncomfortable? Is it the continual mentioning of racial issues? Is it Selina, who is visually handicapped? Is it the way Selina’s mother treats her? Well, it is all of the above…and more. This film is a striking piece of 1960s cinema…in the heart of the Civil Rights era, it demonstrates much of what Dr. Martin Luther King Jr. and others preached…that we are all human—black, white or whatever. It also shows how truly colorblind love (all kinds of love) can be. Selina plays a very emotional abused and used blind girl who happens to encounter a distinguished Black man one day in the park. She, of course, cannot see that he is Black. He can see that she is White, but befriends her since he feels completely sorry for the situation she lives in. Yes…a Black man feeling sorry for a White girl in the 1960s. Well, like I said, this movie is about being truly BLIND to color. It’s about the human condition and the soul of a person, rather than the race. The platonic love Sidney Poitier’s character feels toward Selina has nothing to do with her being White. And, the romantic love Selina feels toward Poitier has absolutely nothing to do with his color, since she doesn’t even know what he looks like. A fabulous film about how racial and social situations matter very little compared to matters of the heart.
Posts Tagged: Black
No Way Out is a hard film for me to watch. It is raw and unrelenting in its depiction of racism in the 1950s. The n-word is tossed around very casually and other derogatory words and stereotypes as well. So, wondering why I love this film so much? Well, just as it’s tough to watch, it is also essential to watch, especially for someone like myself who did not grow up with that level of intense racism. This film teaches tolerance and acceptance. It shows that the difference between black and white (or whichever color) are inconsequential and even non-existent. For its time, this must have been a much more shocking film that it even is today…I mean I was “shocked” at some of the racist language, etc. but in 1950, I’m assuming the level of shock was concerning different aspects of the film. Like the fact that Sidney Poitier plays a doctor. Black physicians are commonplace now, but in the early 50s, I’m sure they were not filling the halls of medical schools. The message of this film is essential, though, so matter what your shock value, try your best to put it aside. It’s a must-see example on how ignorance and intolerance can drive a person to ruin and about how a by-gone era and mentality (thankfully) viewed successful African Americans and the people who persecuted them.