A fun, HIGHLY entertaining look at a senior chorus that performs rock/pop numbers to audiences around the world. This documentary will warm your heart and bring tears to your eyes…all at the same time. The documentary allows you to get to know the Massachusetts-based singers, the organizer, and how all of the processes come together to make some of the more entertaining concert scenes you will ever see. Live audiences seem to LOVE Young @ Heart and once you see this film, you will know why. You will be inspired by their persistence, talent and love of music. A must see!
Posts Tagged: based on true story
Are the hills alive? Well, if they weren’t before this movie, they sure are now. Take the premise from Maria von Trapp’s life story and add songs and dancing and what do you have—magic! That’s what Rodgers and Hammerstein must have discovered when they began adapting this story for the stage. And, shortly after its success on Broadway, Hollywood came calling and Rodgers and Hammerstein answered, taking director Robert Wise and writer Ernest Lehman along for the ride. If you don’t like musicals, you might be advised to be especially leery of this one. The Sound of Music takes the sappiness and melodrama you normally find (in small amounts) in musicals to new heights. But, in this film with this story and with these characters, it just seems to work and I love it. Julie Andrews (never better) plays Maria, a young, fledging novice nun who just can’t seem to make her convent life work with her rebellious and free-spirited personality. Christopher Plummer plays stern and ill-tempered Captain von Trapp, the head of a family for whom she governesses. Since I already said it was sappy, you can assume that a love story between these two unlikely people develops. Now seen as more of a children’s film, this movie is very much for everyone. Sure, children like the singing and the fact that there are six kids in the cast. But, adults should also appreciate that this film, though a bit overdone, is one of the best examples of the Hollywood musical ever produced.
For a moment, I forgot I was watching a movie. It’s more like a captivating documentary. The film takes place (with the exception of a small series of scenes at the beginning when Prime Minister Tony Blair first takes power) all within the span of one week in 1997…from the day Princess Diana died to the day she was buried. This film transported me back to this time and I felt as if I was watching the inner goings-on of the Royal Family and the Prime Minister…on CNN. Maybe one of the reasons for this docudrama feel is that Helen Mirren looks SO MUCH like Queen Elizabeth II in this movie. And, I imagine, the Queen acts pretty much like Mirren does…reserved, official, composed. But, the film itself is an intense piece of work…never dull or slow. I thought it would be tough to fill a whole film based on just one week’s events but director Stephen Frears does a great job of keeping up the level of drama through fast-paced editing and through creating tenuous chemistry between the Queen and Blair. Their political relationship defines the film and keeps things moving. The Queen is a must-see! Hail, Elizabeth!
My soft spot for this one is that I love Beatrix Potter’s books. And I’m heading to the English Lake District this year on vacation…hoping I will love it as much as I think I will. Aside from that, is this an accurate film of Potter’s life? Um, not by a long shot. But, it is a charming, sweet film that, on its own, stands as a wonderful love story. Renee Zellweger again (as she does in the Bridget Jones movies) plays a great Brit — aside from perfecting the accent, she has the slightly aloof manner down pat. Here, she plays Potter as a woman ahead of her time…independent, aggressive, disobedient and defiant. If you’re looking for a film to watch with the whole family, look no further. If you’re looking to write a biographical report on Beatrix Potter, keep looking.
This is a hard movie to say I liked because it’s such a hard film to watch. Much is made of the performance by Forest Whitaker as General Idi Amin (at the time I’m writing this, Whitaker has just been nominated for an Oscar – we’ll find out soon if he wins or not). But, the film is much more than just Whitaker’s brilliant performance. It’s the story about a Scotsman who heads to Uganda after medical school because he doesn’t seem to want to follow in his father’s footsteps of a medical practice in Scotland. Once in Africa, he gets entangled with the newly appointed (self-appointed in a coup) Dictator Amin and becomes the General’s personal physician. Once the Scotsman, Garrigan, finds out about Amin’s brutality, it might be too late for him to escape. Powerful performances by Whitaker and James McAvoy as Garrigan make this film a must see for anyone who is interested in political dramas.
Hugh Grant playing Frederic Chopin??? When I found this out, I had to watch this film. And, Grant surprised me by pulling off the role of the fragile pianist with considerable ease. I bought him as Chopin, just as I bought the other characters in this subtly lavish film. Judy Davis plays unconventional 19th Century novelist George Sand, of whom then film revolves. Her relationships with men, especially Chopin, are chronicles here in a semi-farcical/semi-serious way. Knowing nothing about Sand’s personal life, I was fascinated by her character. She is a true rebel for the day…wearing men’s clothes and having open affairs with a variety of different men. The way the movie tells her story is by not exactly taking it all seriously and, on the same taken, not exactly poking fun of it. All in all, Sand, Chopin and all of the other 19th Century characters make this a fun, interesting look at the France in the mid-1800s.
Not being a Johnny Depp fan, I avoided Finding Neverland as long as I could. Based on recommendations of several people whose opinions I value, I finally caved. I am very infrequently surprised by films. This one surprised me more than any other film in 2004. I was expecting a stuffy, highfalutin film about an author and his life (I have to confess—I hadn’t read any reviews to come to this opinion). Much to my chagrin, the film is not really about adults or adult problems (even though there are several adult issues). It is about children…being a child, holding on to your childhood as long as possible, never letting your child-like innocence and imagination go…etc. The film is based on the life of J.M Barrie, who was a semi-successful playwright in 1900s London…semi-successful only until he wrote the play Peter Pan. Depp plays Barrie in a very toned down way…quiet and introspective. We really never find out what’s going on in Barrie’s mind until it appears on stage through his plays. But, no offense to Mr. Depp, but the children steal this movie. Kate Winslet, as the widowed mother of four boys, including Barrie’s Peter Pan inspiration, and even a small, comic-relief role by Dustin Hoffman do not bring as much joy to the film as the children do when they are on screen. These children provide Barrie with his inspiration and also provide this film with its heart.
Based on true events, this sure tearjerker tells the story of an Irish father in the 1950s who loses his kids through circumstances beyond his control and fights to get them back. The subject matter itself makes this story a tough one to film…too much sappiness might drive the audience away and too little sappiness makes the story fall short of its emotional mark. With the help of Pierce Brosnan (who plays the father) and the rest of the cast, Evelyn succeeds in not being too overly syrupy while still retaining enough tenderness to give the audience both tears in their eyes or lumps in their throats (or both). A charming, feel-good film that the entire family can watch and enjoy together.
This is the story of how a small Australian town is turned upside-down overnight when NASA needs to utilize its large satellite for the 1969 Apollo 11 moon landing. Sam Neill plays the by-the-book chief who has difficulties controlling his less-than-professional staff. I wasn’t really sure what to expect from this film, since it did not get much buzz when it was out in theaters. I was pleasantly surprised by the cast, the story, and the subtle way this film weaves together all of the plot points. A small dramatic film with quite a bit of comedy tossed in to make a sweet, unassuming film.
Not knowing anything more about Maria Callas than that she was an internationally renowned opera sensation, I was particularly interested to see this one. Not really a biographical film, this movie, as it states in the blurb on the back of the DVD case, is director Franco Zeffirelli’s interpretation of what Callas’ last months might have been like if things had gone differently. But, I wondered differently how? After watching the film, I got the impression that even though Zeffirelli worked often with Callas, the film is more about what he personally would have liked Callas to do with her last days, instead of apparently what she did do…which was pretty much…well, nothing. The film is a glorious tribute to Callas as a singer and as a “diva.” French actress Fanny Ardent does a great job of capturing both Callas’ torment at the lost of her voice and the admiration she thrives off once she becomes “famous” again. This film is not especially for someone who does not like or have even a mild appreciate for opera since much of the movie revolves around Callas doing a film production of Bizet’s Carmen. Of course, since Zeffirelli has directed many, many opera productions, he knows how to stage, light and shoot the musical parts. But even if you think you don’t like opera, between Zeffirelli’s beautiful direction and the sound of Callas’ voice in its prime, you might just find that opera is one of your hidden loves. If any film can bring that passion out in you, this one can.