A fun, entertaining holiday movie with star of stars, Barbara Stanwyck. The premise seems a bit silly, but trust me, it works. Stanwyck plays a food/homemaking columnist (remember — this is the 1940s) who cannot do anything domestic herself…just write about it. But, low and behold, she is forced to become the domestic goddess when her editor makes her practice what she preaches. Stanwyck excelled in comedies like this…low key and very smart. She’s always excellent but in scatterbrained roles like this one, she’s priceless. Not just a holiday movie either — good all year around!

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The Lady Eve is fun. After seeing Stanwyck in a variety of Femme Fatale roles, it’s highly enjoyable to see her back at her comic roots. And, boy does she shine here as the daughter of a con-artist who is trying to score one big grift. Henry Fonda is perfectly befuddled as her prey…I’ve never really seen Fonda in a comic role like this before and I haven’t seen him since in anything that can come close to topping this. Both actors are simply brilliant in this one. Basically, Fonda plays a wealthy, naive young man on a cruise heading up the Amazon so study his love of snakes. Enter Stanwyck and her father (played by the always-great Charles Coburn) to try and “lure” Fonda into a trap to milk him out of some of his millions. Classic Preston Sturges at his finest!

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This is the classic example of film noir….more than Otto Preminger’s Laura…more than anything else of the era. Why? Well, because this one’s got everything. In a big way too….lust, murder, the perfect femme fatale, the perfect fall-guy, the perfect everything. Based on the novel by James M. Cain (who also penned The Postman Always Rings Twice and Mildred Pierce) and directed by Billy Wilder, Double Indemnity is a thriller from start to finish…you’re always wondering and questions and getting closer and closer to the edge of your seat. Fred MacMurray plays a sarcastic insurance salesman who catches Barbara Stanwyck’s eye when he goes to try and sell her husband some insurance. Stanwyck is unhappily married and MacMurray knows it. The one thing in their way…her husband. Like in Postman, husbands are always expendable. Stanwyck is simply the best film femme fatale ever. She’s mean without being hard. She’s cool under pressure without being too sentimental. Stylized and perfectly cast, this Wilder masterpiece set the standard for film noir films…and dared others to try and top it…which, in my opinion, no film ever did.

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