BEST MOTION PICTURE – DRAMA
BLACK SWAN
THE FIGHTER
INCEPTION
THE KING’S SPEECH
THE SOCIAL NETWORK

BEST PERFORMANCE IN A MOTION PICTURE – DRAMA
Actress
HALLE BERRY FRANKIE AND ALICE
NICOLE KIDMAN RABBIT HOLE
JENNIFER LAWRENCE WINTER’S BONE
NATALIE PORTMAN BLACK SWAN
MICHELLE WILLIAMS BLUE VALENTINE
Actor
JESSE EISENBERG THE SOCIAL NETWORK
COLIN FIRTH THE KING’S SPEECH
JAMES FRANCO 127 HOURS
RYAN GOSLING BLUE VALENTINE
MARK WAHLBERG THE FIGHTER

BEST MOTION PICTURE – COMEDY OR MUSICAL
ALICE IN WONDERLAND
BURLESQUE
THE KIDS ARE ALL RIGHT
RED
THE TOURIST

BEST PERFORMANCE IN A MOTION PICTURE – COMEDY OR MUSICAL
Actress
ANNETTE BENING THE KIDS ARE ALL RIGHT
ANNE HATHAWAY LOVE AND OTHER DRUGS
ANGELINA JOLIE THE TOURIST
JULIANNE MOORE THE KIDS ARE ALL RIGHT
EMMA STONE EASY A
Actor
JOHNNY DEPP ALICE IN WONDERLAND
JOHNNY DEPP THE TOURIST
PAUL GIAMATTI BARNEY’S VERSION
JAKE GYLLENHAAL LOVE AND OTHER DRUGS
KEVIN SPACEY CASINO JACK

BEST ANIMATED FEATURE FILM
DESPICABLE ME
HOW TO TRAIN YOUR DRAGON
THE ILLUSIONIST
TANGLED
TOY STORY 3

BEST FOREIGN LANGUAGE FILM
BIUTIFUL (MEXICO/SPAIN)
THE CONCERT (FRANCE)
THE EDGE (RUSSIA)
I AM LOVE (ITALY)
IN A BETTER WORLD (DENMARK)

BEST PERFORMANCE IN A SUPPORTING ROLE IN A MOTION PICTURE
Actress
AMY ADAMS THE FIGHTER
HELENA BONHAM CARTER THE KING’S SPEECH
MILA KUNIS BLACK SWAN
MELISSA LEO THE FIGHTER
JACKI WEAVER ANIMAL KINGDOM
Actor
CHRISTIAN BALE THE FIGHTER
MICHAEL DOUGLAS WALL STREET: MONEY NEVER SLEEPS
ANDREW GARFIELD THE SOCIAL NETWORK
JEREMY RENNER THE TOWN
GEOFFREY RUSH THE KING’S SPEECH

BEST DIRECTOR – MOTION PICTURE
DARREN ARONOFSKY BLACK SWAN
DAVID FINCHER THE SOCIAL NETWORK
TOM HOOPER THE KING’S SPEECH
CHRISTOPHER NOLAN INCEPTION
DAVID O. RUSSELL THE FIGHTER

BEST SCREENPLAY – MOTION PICTURE
DANNY BOYLE, SIMON BEAUFOY 127 HOURS
LISA CHOLODENKO, STUART BLUMBERG THE KIDS ARE ALL RIGHT
CHRISTOPHER NOLAN INCEPTION
DAVID SEIDLER THE KING’S SPEECH
AARON SORKIN THE SOCIAL NETWORK

BEST ORIGINAL SCORE – MOTION PICTURE
ALEXANDRE DESPLAT THE KING’S SPEECH
DANNY ELFMAN ALICE IN WONDERLAND
A.R. RAHMAN 127 HOURS
TRENT REZNOR, ATTICUS ROSS THE SOCIAL NETWORK
HANS ZIMMER INCEPTION

BEST ORIGINAL SONG – MOTION PICTURE
“BOUND TO YOU” — BURLESQUE
“COMING HOME” — COUNTRY STRONG
“I SEE THE LIGHT” — TANGLED
“THERE’S A PLACE FOR US” — CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER
“YOU HAVEN’T SEEN THE LAST OF ME” — BURLESQUE

BEST TELEVISION SERIES – DRAMA
BOARDWALK EMPIRE (HBO)
DEXTER (SHOWTIME)
THE GOOD WIFE (CBS)
MAD MEN (AMC)
THE WALKING DEAD (AMC)

BEST PERFORMANCE IN A TELEVISION SERIES – DRAMA
Actress
JULIANNA MARGULIES THE GOOD WIFE
ELISABETH MOSS MAD MEN
PIPER PERABO COVERT AFFAIRS
KATEY SAGAL SONS OF ANARCHY
KYRA SEDGWICK THE CLOSER
Actor
STEVE BUSCEMI BOARDWALK EMPIRE
BRYAN CRANSTON BREAKING BAD
MICHAEL C. HALL DEXTER
JON HAMM MAD MEN
HUGH LAURIE HOUSE

BEST TELEVISION SERIES – COMEDY OR MUSICAL
30 ROCK (NBC)
THE BIG BANG THEORY (CBS)
THE BIG C (SHOWTIME)
GLEE (FOX)
MODERN FAMILY (ABC)
NURSE JACKIE (SHOWTIME)

BEST PERFORMANCE IN A TELEVISION SERIES –COMEDY OR MUSICAL
Actress
TONI COLLETTE UNITED STATES OF TARA
EDIE FALCO NURSE JACKIE
TINA FEY 30 ROCK
LAURA LINNEY THE BIG C
LEA MICHELE GLEE
Actor
ALEC BALDWIN 30 ROCK
STEVE CARELL THE OFFICE
THOMAS JANE HUNG
MATTHEW MORRISON GLEE
JIM PARSONS THE BIG BANG THEORY

BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
CARLOS (SUNDANCE CHANNEL)
THE PACIFIC (HBO)
PILLARS OF THE EARTH (STARZ)
TEMPLE GRANDIN (HBO)
YOU DON’T KNOW JACK (HBO)

BEST PERFORMANCE IN A MINI-SERIES OR MADE FOR TV MOVIE
Actress
HAYLEY ATWELL PILLARS OF THE EARTH
CLAIRE DANES TEMPLE GRANDIN
JUDI DENCH RETURN TO CRANFORD
ROMOLA GARAI EMMA
JENNIFER LOVE HEWITT THE CLIENT LIST
Actor
IDRIS ELBA LUTHER
IAN MCSHANE PILLARS OF THE EARTH
AL PACINO YOU DON’T KNOW JACK
DENNIS QUAID THE SPECIAL RELATIONSHIP
EDGAR RAMIREZ CARLOS

BEST PERFORMANCE IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
Actress
HOPE DAVIS THE SPECIAL RELATIONSHIP
JANE LYNCH GLEE
KELLY MACDONALD BOARDWALK EMPIRE
JULIA STILES DEXTER
SOFIA VERGARA MODERN FAMILY
Actor
SCOTT CAAN HAWAII FIVE-O
CHRIS COLFER GLEE
CHRIS NOTH THE GOOD WIFE
ERIC STONESTREET MODERN FAMILY
DAVID STRATHAIRN TEMPLE GRANDIN

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1 comment.


The overused word DYSFUNCTIONAL could have been coined about the Gregson family. The matriarch of this mess is Tara, who has several diverse and loony multiple personalities, including a teenage-like wild girl, a June Cleaver-esque housewife, and a MALE Vietnam Vet who smokes and drinks way too much. Her kids and husband are all very aware that this personality disorder is something their mother is afflicted with. Often, the personalities come out at the most inopportune times, causing havoc in the kids’ lives. Like I said, dysfunctional with a capital D! And, most times, I stay clear from families-in-crisis shows (like Married With Children, etc.) but this time, Tara and her antics make the show so appeal and fun. I also felt myself drawn to the kids’ plights and what their lives must be like with a mother like Tara . Their frequent frustration is believable and not overdone in anyway. But, I would have to say that Tara and her “alters” as she calls them is the reason to watch this one. Toni Collette has won raves and awards for her portrayal of Tara and I think she is key to the show’s appeal and quality. If Tara were not as believable as she is, the show would not hold together and the audience would lose interest fast. Collette’s strong acting and huge range allow this show to be a hit rather than a miss.

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Why, oh why, did I keep watching this? Maybe because I had no choice – it’s addicting…in a “bad girl” kind of way. What do I mean? Well, the main character, Jackie, is UNLIKEABLE in a rebellious, mean-spirited, devious sort of way. She is a compulsive liar when it suits her, is a drug addict, and almost has two complete different personalities…NURSE Jackie who is nice ONLY when she has to be and MOM/WIFE Jackie who is A LITTLE softer. And its hard to like either of the two Jackies. She has this close-to-idyllic family life…a loyal, hardworking husband and sweet kids…but she has a steady boyfriend and sex partner at the hospital where her NURSE alter-ego works. She pops pills on a regular basis…right before or after scolding others for even thinking of doing the same. She’s a warped, unholy mess of a woman, but somehow, she’s highly watchable. Maybe because you want to see her get caught (which she “kind-of” does at the end of season one (her hospital boyfriend (who did not even know she had kids must less was married) catches her with her husband). Maybe because the SOFT side she shows all too infrequently (a good mom, a compassionate (at times) nurse) is likeable and we cheer for GOOD Jackie to come out more often. All I know is that I really couldn’t stop watching. I think much of this has to do with Edie Falco, who, has in the past, taken unlikeable characters and made them tolerable. Even when Jackie is being bad, there always is a little humor behind her demeanor, which Falco allows the audience to glimpse. And, because of Falco, Jackie and all of her flaws becomes a watchable, interesting character that we need to keep tabs on. Considering how unlikeable Jackie is, that’s a very impressive mountain to climb.

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Can Winston Churchill be exciting? In this second installment of HBO’s film on Churchill (the first being The Gathering Storm with Albert Finney playing Churchill), the old English Bulldog is pretty darn exciting. Maybe I should preface that by saying the ERA that this film takes place in is much more exhilarating than the timeframe of the Finney film (pre-WWII). Churchill during WWII was a force to be reckoned with. He and FDR formed a powerful, menacing alliance that took the world and Hitler by storm. In The Gathering Storm, Finney did a fabulous job of embodying the Prime Minister, but there was always something a little too “regal” about him. I mean after all, it was Albert Finney under all of that make-up and the years of classical acting seemed to hinder the rough, brash Churchill exterior from coming all the way through. Here, in this film, Irish actor Brendan Gleeson does not have any problem being a true, unadulterated curmudgeon. Gleeson’s performance is truly phenomenal…he’s all fire and brimstone when he needs to be but in the scenes with Churchill and his wife Clemmie, Gleeson shine’s as he lets slivers of Churchill’s soft side peek out. All around, an excellent film about a traumatic time in history…and about the man who made sure Great Britain got though that trauma mostly unscathed.

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Voting for our 3rd annual Teen Choice Awards will begin March 1!  Starting on the first of the month, stop by the Reference or A/V desks to vote for your favorite movie, music, and more. 

Get a small prize for voting, and you’ll also be entered in a drawing for larger prizes at the end of the month.

Any guesses for the winners this year?  Avatar? Lady Gaga?

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Adam’s Rib
Affair to Remember, An
All That Heaven Allows
Annie Hall
Apartment, The
Awful Truth, The
Bachelor and the Bobby Soxer, The
Barefoot in the Park
Born Yesterday
Breakfast at Tiffany’s
Bride Came C.O.D., The
Brief Encounter
Bringing Up Baby
Casablanca
Come September
Desire Under the Elms
Desk Set
Doctor Zhivago
From Here to Eternity
Gentlemen Prefer Blondes
Gilda
Glass Bottom Boat, The
Gone With the Wind
Graduate, The
His Girl Friday
Holiday (1938)
Houseboat
How to Marry a Millionaire
Indiscreet
Intermezzo
It Happened One Night
It’s a Wonderful Life
Lady Eve, The
Last Time I Saw Paris
Love in the Afternoon
Love is a Many-Splendored Thing
Love Story
Lover Come Back
Magnificent Obsession
Manhattan
Meet John Doe
Move Over, Darling
Mr. and Mrs. Smith
Mr. Deeds Goes to Town
My Favorite Wife
My Man Godfrey
Ninotchka
Notorious
Now, Voyager
Pat and Mike
Philadelphia Story, The
Pillow Talk
Place in the Sun, A
Random Harvest
Robin and Marion
Roman Holiday
Romeo and Juliet (1968)
Sabrina (1954)
Same Time, Next Year
Sandpiper, The
Send Me No Flowers
Shop Around the Corner, The
Summer Place, A
Talk of the Town
Teacher’s Pet
That Touch of Mink
Three Coins in the Fountain
Thrill of It All, The
To Catch a Thief
To Have and Have Not
Touch of Class, A
Two for the Road
Way We Were, The
Wife vs. Secretary
With Six You Get Eggroll
Women in Love
Young at Heart

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An excellent Charles Dickens adaptation, given the full BBC treatment in mini-series form. Well acted, well shot and well written, this comes close to, if not surpasses, the wonderful Bleak House adaptation BBC did in 2005. The set designers, art directors, and costumers did such a good job that I really did feel as if I was transported to 1800s London. The story revolves around a young girl, nicknamed “Little” Dorrit since she is her family’s youngest, who holds the key to her family’s hidden potential. Nominated for a plethora of awards (Emmys, Golden Globes, etc.), this adaptation lives up to the long standard the BBC has set in filming famed classics for the small screen. A must!

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Both of these films are masterpieces in historical dramas. Even though produced by BBC both films play as well…over even better…than most historical dramas put on the big screen. Starring Judi Dench as the main matriarchal member of a small Cheshire, England market town that has been slow (if at all) to progress with the times. Dench’s Matty is a spinster who lives with her sister and they, with their friends, control the town more than any mayor or politician could do. What they want, goes. What they say, goes. Over the course of these two great series, the ladies…especially Matty…change. Some die, some get ill, some suffer, some alter their believes about progress. But, all in all, the town of Cranford would not continue to survive and thrive without the ladies of Cranford.

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