Wes Anderson is not my favorite film writer/director working today. I find most of his movies pointless. They all seem to share a like vision but I guess I just do not understand or care about that vision. I can see what he is trying to do and I don’t want to bother. My favorite film of Anderson’s, The Darjeeling Limited, was less inane (in my opinion) than most of his films. But if there is one thing all of Andersons’ films share, it is that they are highly quirky. This might sound like I mean it as a bad thing – I do not. I like quirky. I just usually do not like Anderson’s brand of quirk. But in The Grand Budapest Hotel, the quirkiness works. Mostly everything works.

The best part of The Grand Budapest Hotel is the world Anderson creates. It’s unique, visually charming, and highly imaginative.

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First of all, I never thought I would be writing a review on a Wes Anderson movie. Or even an Owen Wilson film. So, it’s fair to say that The Darjeeling Limited is another film I didn’t think I would like…at all. But, unlike Wes Anderson’s other films, this one relies more on its plot and characters rather than on its inane quirkiness. A story about three brothers, all of whom have been estranged from each other for a time, who buried their father and are now on a quest to find their long-lost mother. Their quest takes them on a train trip through India, where their mother is believed to be in hiding. Yes, it’s quirky, but it’s a good, easy-going sort of quirky that I don’t mind. The Royal Tenenbaums and The Life Aquatic with Steve Zissou were seeping with quirkiness, and not an innocent, harmless kind either. The quirks here are not part of the plot — they are just little blips in the characters’ personas. It is a colorful, fun movie…a great road-trip film!


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