If you can get past the annoying whistling (of the soldiers whistling a certain march, which is the movie’s theme music), this David Lean epic is one of film’s true masterpieces. William Holden stars as the tough, bitter Shears, who has been imprisoned in a POW camp for months when British colonel Alec Guinness and his troops are captured and sent to the camp. For me, this movie is one of the few large-scale epics I ever liked, mostly because it’s not too corny and sentimental. Don’t get me wrong…I like sentiment as much as the next gal but I prefer it in a romantic comedy or a melodrama. Corny romance and dialogue always seemed out of place, to me, in an epic. The one question I have, though, with the film is the ending. Not the finale—which ends with the train scene of all train scenes—but, rather just the second half of the film. After Holden’s character escapes from the camp, he finds himself enjoying his freedom. When he is propositioned by superiors to take them back to the camp so they can bomb a bridge the Japanese are building (with the help of Guinness’ soldiers), he reluctantly agrees. Reluctantly or not, I would never have agreed. We are told (through previous dialogue and through a montage of shots during the escape) that escaping the camp was an arduous ordeal and we already know that life inside the camp was hell. Nothing or no one would make me go back to hell once I got out, so I never really do get why Holden agrees. But, alas, if he didn’t there would not be a movie. And what a great movie it is! And that’s not just my opinion—ask the Academy. Winner of seven Oscars, including ones for Guinness and Lean.
Posts Tagged: action
Like its predecessor, The Bourne Supremacy, this film holds up well against the first one of the series, The Bourne Identity. When it comes to series films, regardless of how good or bad the first one is, the subsequent films are usually never good…or at least as good…as the first. By a third film in a series, everything just seems to run out of steam…especially the screenplay. Plot is just mostly ignored…since blowing things up for no reason does not fall under the list of acceptable plotlines. In The Bourne Ultimatum, the script stays taut and clever from start to finish, the action stays consistently tied to the story, and the actors do not behave like they are sleepwalking through their performances. Beginning with the plot thread that left Supremacy up in the air, Ultimatum takes charge right from the beginning. Jason Bourne, this time, remembers more about his past and is determined to find out who is the person responsible for that said past. No, it’s not MUCH of a plot but at least it’s some justification for all of the action and fighting. It’s simple…a simple story…Jason Bourne wants to find out who he is and why he does what he does. Basing all the action on that logic, the movie makes sense. And it is one heck of a wild ride – once again Greengrass and his crew incorporate the camera in the action…make sure to take your Dramamine before this one because when Jason Bourne gets in a brawl, you feel like you’re punching right along with him. If you were a fan of the first two films, this one is a must see!
Like the 2002 film, The Bourne Identity, this film features amnesiac Jason Bourne on his quest to find the truth out about himself and his possibly nefarious former life. Identity ends with Jason reconnecting with love Marie in an island paradise and Supremacy continues at that spot. From there, it spins you into a world of action, intrigue, and governmental intelligence like nothing ever before. Identity lays the groundwork for the character and plot, but this film answers most, not all, of the questions. It is faster, more intense, and a bit more easy to follow than the first installment. And, there is a car chase in Supremacy (one of the best car chases ever in movies, I feel) that will make you want to walk around for a while since just the sight of automobiles will make you sick. Matt Damon plays Jason Bourne to the hilt, capturing the right level of stamina, compassion, and strength of mind and body. The supporting characters (some carried over from Identity, some new) round out the film by filling in some of the holes about Jason’s past, that, of course, he can’t do since he’s lost his memory. This is one of the best action films in recent years (or decades). It takes the audience on a ride of fun and thrills, all while maintaining a level of plausibility, smarts, and common sense…things VERY few action movies do anymore.