Best motion picture – Drama
The Descendants
The Help
Hugo
The Ides of March
Moneyball
War Horse

Best performance by an actress in a motion picture – Drama
Glenn Close, Albert Nobbs
Viola Davis, The Help
Rooney Mara, The Girl With the Dragon Tattoo
Meryl Streep, The Iron Lady
Tilda Swinton, We Need to Talk About Kevin

Best performance by an actor in a motion picture – Drama
George Clooney, The Descendants
Leonardo DiCaprio, J. Edgar
Michael Fassbender, Shame
Ryan Gosling, The Ides of March
Brad Pitt, Moneyball

Best animated feature film
The Adventures of Tintin
Arthur Christmas
Cars 2
Puss in Boots
Rango

Best foreign language film
The Flowers of War (China)
In the Land of Blood and Honey (USA)
The Kid with a Bike (Belgium)
A Separation (Iran)
The Skin I like In (Spain)

Best Director- Motion Picture
Woody Allen, Midnight in Paris
George Clooney, The Ides of March
Michel Hazanavicius, The Artist
Alexander Payne, The Descendants
Martin Scorsese, Hugo

Best original song – Motion Picture
“Hello Hello” – Gnomeo & Juliet
“The Keeper” – Machine Gun Preacher
“Lay Your Head Down” – Albert Nobbs
“The Living Proof”- The Help
“Masterpiece” – W.E.

Best Motion Picture – Comedy or Musical
50/50
The Artist
Bridesmaids
Midnight in Paris
My Week with Marilyn

Best performance by an actress in a motion picture – Comedy or Musical
Jodie Foster, Carnage
Charlize Theron, Young Adult
Kristen Wiig, Bridesmaids
Michelle Williams, My Week with Marilyn
Kate Winslet, Carnage

Best performance by an actor in a motion picture – Comedy or Musical
Jean Dujardin, The Artist
Brendan Gleeson, The Guard
Joseph Gordon-Levitt, 50/50
Ryan Gosling, Crazy, Stupid, Love.
Owen Wilson, Midnight in Paris

Best performance by an actress in a supporting role in a motion picture
Berenice Bejo, The Artist
Jessica Chastain, The Help
Janet McTeer, Albert Nobbs
Octavia Spencer, The Help
Shailene Woodley, The Descendants

Best performance by an actor in a supporting role in a motion picture
Kenneth Branagh, My Week With Marilyn
Albert Brooks, Drive 
Jonah Hill, Moneyball
Viggo Mortensen, A Dangerous Method
Christopher Plummer, Beginners

Best screenplay – Motion Picture
Midnight in Paris
The Ides of March
The Artist
The Descendents
Moneyball

Best original score – Motion Picture
The Artist
W.E.
The Girl with the Dragon Tattoo
Hugo
War Horse

Facebook0Google+0Twitter0Pinterest0tumblrEmail

Be the first to comment!

Well, the show was OK — not great, but not awful. All in all, I would say that James Franco will NEVER be asked back — though Anne Hathaway might, since she seemed excited to be there. Franco seemed to be back in NYC in school rather than on one of the greatest stages in the world. I have been to the Kodak Theater in Hollywood myself and even took a tour. We were able, on the tour, to stand on the stage and look out to the seats like Franco and Hathaway did on Sunday night. No, the Kodak was not all glitzed and glammed up like it was Sunday, but I still felt that it was a once-in-a-lifetime experience. Also, I have held an Oscar — not at the Kodak but at the Shops at North Bridge on Michigan Avenue. The lavish mall, where the Nordstroms is, holds an annual venue where people can come and get their picture taken with an actual Oscar statue. They also ha

ve photos from some of the previous ceremonies and other information on the awards. It’s like a mini-Academy Awards museum for filmies around the Chicagoland area! It was a blast. So, even though I probably will never hold an Oscar up on the stage of the Kodak Theater, I can at least say I have been there, done that…though in two different cities and two different years!

Facebook0Google+0Twitter0Pinterest0tumblrEmail

Be the first to comment!

The British Academy of Film and Television Arts announced their winners on February 13th!  

ACADEMY FELLOWSHIP
CHRISTOPHER LEE

OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
THE HARRY POTTER FILMS

BEST FILM
THE KING’S SPEECH Iain Canning, Emile Sherman, Gareth Unwin

BLACK SWAN Mike Medavoy, Brian Oliver, Scott Franklin
INCEPTION Emma Thomas, Christopher Nolan
THE SOCIAL NETWORK Scott Rudin, Dana Brunetti, Michael De Luca, Céan Chaffin
TRUE GRIT Scott Rudin, Ethan Coen, Joel Coen
OUTSTANDING BRITISH FILM
THE KING’S SPEECH Tom Hooper, David Seidler, Iain Canning, Emile Sherman, Gareth Unwin

127 HOURS Danny Boyle, Simon Beaufoy, Christian Colson, John Smithson
ANOTHER YEAR Mike Leigh, Georgina Lowe
FOUR LIONS Chris Morris, Jesse Armstrong, Sam Bain, Mark Herbert, Derrin Schlesinger
MADE IN DAGENHAM Nigel Cole, William Ivory, Elizabeth Karlsen, Stephen Woolley
                                                                                                               
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
FOUR LIONS Chris Morris (Director/Writer)

THE ARBOR Clio Barnard (Director), Tracy O’Riordan (Producer)
EXIT THROUGH THE GIFT SHOP Banksy (Director), Jaimie D’Cruz (Producer)
MONSTERS Gareth Edwards (Director/Writer)
SKELETONS Nick Whitfield (Director/Writer)
DIRECTOR
THE SOCIAL NETWORK David Fincher

127 HOURS Danny Boyle
BLACK SWAN Darren Aronofsky
INCEPTION Christopher Nolan
THE KING’S SPEECH Tom Hooper
ORIGINAL SCREENPLAY
THE KING’S SPEECH David Seidler

BLACK SWAN Mark Heyman, Andrés Heinz, John McLaughlin
THE FIGHTER Scott Silver, Paul Tamasy, Eric Johnson
INCEPTION Christopher Nolan
THE KIDS ARE ALL RIGHT Lisa Cholodenko, Stuart Blumberg
ADAPTED SCREENPLAY
THE SOCIAL NETWORK Aaron Sorkin

127 HOURS Danny Boyle, Simon Beaufoy
THE GIRL WITH THE DRAGON TATTOO Rasmus Heisterberg, Nikolaj Arcel
TOY STORY 3 Michael Arndt
TRUE GRIT Joel Coen, Ethan Coen
FILM NOT IN THE ENGLISH LANGUAGE
THE GIRL WITH THE DRAGON TATTOO Søren Stærmose, Niels Arden Oplev

BIUTIFUL Alejandro González Iñárritu, Jon Kilik, Fernando Bovaira
I AM LOVE Luca Guadagnino, Francesco Melzi D’Eril, Marco Morabito, Massimiliano Violante
OF GODS AND MEN Xavier Beauvois, Pascal Caucheteux, Etienne Comar
THE SECRET IN THEIR EYES Mariela Besuievsky, Juan José Campanella
ANIMATED FILM
TOY STORY 3 Lee Unkrich

DESPICABLE ME Chris Renaud, Pierre Coffin
HOW TO TRAIN YOUR DRAGON Chris Sanders, Dean DeBlois
LEADING ACTOR
COLIN FIRTH The King’s Speech

JAVIER BARDEM Biutiful
JEFF BRIDGES True Grit
JESSE EISENBERG The Social Network
JAMES FRANCO 127 Hours
LEADING ACTRESS
NATALIE PORTMAN Black Swan

ANNETTE BENING The Kids Are All Right
JULIANNE MOORE The Kids Are All Right
NOOMI RAPACE The Girl with the Dragon Tattoo
HAILEE STEINFELD True Grit
SUPPORTING ACTOR
GEOFFREY RUSH The King’s Speech

CHRISTIAN BALE The Fighter
ANDREW GARFIELD The Social Network
PETE POSTLETHWAITE The Town
MARK RUFFALO The Kids Are All Right
SUPPORTING ACTRESS
HELENA BONHAM CARTER The King’s Speech

AMY ADAMS The Fighter
BARBARA HERSHEY Black Swan
LESLEY MANVILLE Another Year
MIRANDA RICHARDSON Made in Dagenham
ORIGINAL MUSIC
THE KING’S SPEECH Alexandre Desplat

127 HOURS AR Rahman
ALICE IN WONDERLAND Danny Elfman
HOW TO TRAIN YOUR DRAGON John Powell
INCEPTION Hans Zimmer
CINEMATOGRAPHY
TRUE GRIT Roger Deakins

127 HOURS Anthony Dod Mantle, Enrique Chediak
BLACK SWAN Matthew Libatique
INCEPTION Wally Pfister
THE KING’S SPEECH Danny Cohen
EDITING
THE SOCIAL NETWORK Angus Wall, Kirk Baxter

127 HOURS Jon Harris
BLACK SWAN Andrew Weisblum
INCEPTION Lee Smith
THE KING’S SPEECH Tariq Anwar
PRODUCTION DESIGN
INCEPTION Guy Hendrix Dyas, Larry Dias, Doug Mowat

ALICE IN WONDERLAND Robert Stromberg, Karen O’Hara
BLACK SWAN Thérèse DePrez, Tora Peterson
THE KING’S SPEECH Eve Stewart, Judy Farr
TRUE GRIT Jess Gonchor, Nancy Haigh
COSTUME DESIGN
ALICE IN WONDERLAND Colleen Atwood

BLACK SWAN Amy Westcott
THE KING’S SPEECH Jenny Beavan
MADE IN DAGENHAM Louise Stjernsward
TRUE GRIT Mary Zophres
SOUND
INCEPTION Richard King, Lora Hirschberg, Gary A Rizzo, Ed Novick

127 HOURS Glenn Freemantle, Ian Tapp, Richard Pryke, Steven C Laneri, Douglas Cameron
BLACK SWAN Ken Ishii, Craig Henighan, Dominick Tavella
THE KING’S SPEECH John Midgley, Lee Walpole, Paul Hamblin, Martin Jensen
TRUE GRIT Skip Lievsay, Craig Berkey, Greg Orloff, Peter F Kurland, Douglas Axtell
SPECIAL VISUAL EFFECTS
INCEPTION Chris Corbould, Paul Franklin, Andrew Lockley, Peter Bebb

ALICE IN WONDERLAND Ken Ralston, David Schaub, Sean Phillips, Carey Villegas
BLACK SWAN Dan Schrecker, Henrik Fett, Michael Capton, William ‘Brad’ Kalinoski
HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Tim Burke, John Richardson, Nicolas Aithadi, Christian Manz
TOY STORY 3 Guido Quaroni, Michael Fong, David Ryu
MAKE UP; HAIR
ALICE IN WONDERLAND Valli O’Reilly, Paul Gooch

BLACK SWAN Judy Chin, Geordie Sheffer
HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Amanda Knight, Lisa Tomblin, Nick Dudman
THE KING’S SPEECH Frances Hannon
MADE IN DAGENHAM Lizzie Yianni Georgiou
SHORT ANIMATION
THE EAGLEMAN STAG Michael Please

MATTER FISHER David Prosser
THURSDAY Matthias Hoegg
SHORT FILM
UNTIL THE RIVER RUNS RED Paul Wright, Poss Kondeatis

CONNECT Samuel Abrahams, Beau Gordon
LIN Piers Thompson, Simon Hessel
RITE Michael Pearce, Ross McKenzie, Paul Welsh
TURNING Karni Arieli, Saul Freed, Alison Sterling, Kat Armour-Brown
THE ORANGE WEDNESDAYS RISING STAR AWARD (voted for by the public)
TOM HARDY

GEMMA ARTERTON
ANDREW GARFIELD
AARON JOHNSON

EMMA STON

Facebook0Google+0Twitter0Pinterest0tumblrEmail

Be the first to comment!

Performance by an actor in a leading role
Javier Bardem in “Biutiful”
Jeff Bridges in “True Grit”
Jesse Eisenberg in “The Social Network”
Colin Firth in “The King’s Speech”
James Franco in “127 Hours”

Performance by an actor in a supporting role
Christian Bale in “The Fighter”
John Hawkes in “Winter’s Bone”
Jeremy Renner in “The Town”
Mark Ruffalo in “The Kids Are All Right”
Geoffrey Rush in “The King’s Speech”

Performance by an actress in a leading role
Annette Bening in “The Kids Are All Right”
Nicole Kidman in “Rabbit Hole”
Jennifer Lawrence in “Winter’s Bone”
Natalie Portman in “Black Swan”
Michelle Williams in “Blue Valentine”

Performance by an actress in a supporting role
Amy Adams in “The Fighter”
Helena Bonham Carter in “The King’s Speech”
Melissa Leo in “The Fighter”
Hailee Steinfeld in “True Grit”
Jacki Weaver in “Animal Kingdom”

Best animated feature film of the year
“How to Train Your Dragon” Chris Sanders and Dean DeBlois
“The Illusionist” Sylvain Chomet
“Toy Story 3” Lee Unkrich

Achievement in art direction
“Alice in Wonderland”
“Harry Potter and the Deathly Hallows Part 1”
“Inception”
“The King’s Speech”
“True Grit”

Achievement in cinematography
“Black Swan” Matthew Libatique
“Inception” Wally Pfister
“The King’s Speech” Danny Cohen
“The Social Network” Jeff Cronenweth
“True Grit” Roger Deakins

Achievement in costume design
“Alice in Wonderland” Colleen Atwood
“I Am Love” Antonella Cannarozzi
“The King’s Speech” Jenny Beavan
“The Tempest” Sandy Powell
“True Grit” Mary Zophres

Achievement in directing
“Black Swan” Darren Aronofsky
“The Fighter” David O. Russell
“The King’s Speech” Tom Hooper
“The Social Network” David Fincher
“True Grit” Joel Coen and Ethan Coen

Best documentary feature
“Exit through the Gift Shop”
“Gasland”
“Inside Job”
“Restrepo”
“Waste Land”

Best documentary short subject
“Killing in the Name”
“Poster Girl”
“Strangers No More”
“Sun Come Up”
“The Warriors of Qiugang”

Achievement in film editing
“Black Swan” Andrew Weisblum
“The Fighter” Pamela Martin
“The King’s Speech” Tariq Anwar
“127 Hours” Jon Harris
“The Social Network” Angus Wall and Kirk Baxter

Best foreign language film of the year
“Biutiful”
Mexico
“Dogtooth”
Greece
“In a Better World”
Denmark
“Incendies”
Canada
“Outside the Law (Hors-la-loi)”
Algeria

Achievement in makeup
“Barney’s Version”
“The Way Back”
“The Wolfman”

Achievement in music written for motion pictures (Original score)
“How to Train Your Dragon”  John Powell
“Inception” Hans Zimmer
“The King’s Speech” Alexandre Desplat
“127 Hours” A.R. Rahman
“The Social Network” Trent Reznor and Atticus Ross

Achievement in music written for motion pictures (Original song)
“Coming Home” from “Country Strong”
“I See the Light” from “Tangled”
“If I Rise” from “127 Hours”
“We Belong Together” from “Toy Story 3”

Best motion picture of the year
“Black Swan” (Fox Searchlight)
“The Fighter” (Paramount)
“Inception” (Warner Bros.)
“The Kids Are All Right” (Focus Features)
“The King’s Speech” (The Weinstein Company)
“127 Hours” (Fox Searchlight)
“The Social Network” (Sony Pictures Releasing)
“Toy Story 3” (Walt Disney)
“True Grit” (Paramount)
“Winter’s Bone” (Roadside Attractions)

Best animated short film
“Day & Night”
“The Gruffalo”
“Let’s Pollute”
“The Lost Thing”
“Madagascar, carnet de voyage (Madagascar, a Journey
Diary)”

Best live action short film
“The Confession”
“The Crush”
“God of Love”
“Na Wewe”
“Wish 143”

Achievement in sound editing
“Inception” Richard King
“Toy Story 3” Tom Myers and Michael Silvers
“Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague
“True Grit” Skip Lievsay and Craig Berkey
“Unstoppable” Mark P. Stoeckinger 

Achievement in sound mixing
“Inception”
“The King’s Speech”
“Salt”
“The Social Network”
“True Grit”

Achievement in visual effects
“Alice in Wonderland”
“Harry Potter and the Deathly Hallows Part 1”
“Hereafter”
“Inception”
“Iron Man 2”

Adapted screenplay
“127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
“The Social Network” Screenplay by Aaron Sorkin
“Toy Story 3” Screenplay by Michael Arndt
“True Grit” Written for the screen by Joel Coen & Ethan Coen
“Winter’s Bone” Adapted for the screen by Debra Granik & Anne Rosellini

Original screenplay
“Another Year” Written by Mike Leigh
“The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson
“Inception” Written by Christopher Nolan
“The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
“The King’s Speech” Screenplay by David Seidler

Facebook0Google+0Twitter0Pinterest0tumblrEmail

Be the first to comment!


As with other films, the background I have about this film was limited. South Africa — nada. Rugby — less than nada. But, it’s an Eastwood film and it has two of my favorite actors, so what the heck. And, boy, what a great film. Morgan Freeman does a spectular job of playing Mandela…he’s less about the looks of the Nobel Prize winner and more about the persona. So, at the start of the film in the early 1990s, Mandela gets out of jail and is elected to president. Apartheid is over. Mandela sees rugby and it’s “whites” only popularity as a way to try and help some of the white South Africans that he determined to unite his racially divided country. Matt Damon plays the rugby team captain who is in awe of the inspiring Mandela. Some believe (both black and white) that Mandela’s focus on rugby as a uniting tool is fooling. The blacks want to know why he is focusing this much attention on a white sport. And the whites don’t believe he is sincere and feel he has some sort of ulterior motive. South African politics are a big part of this film, as is rugby. Knowing next to nothing about those subjects did not hinder my enjoyment here. The story is intense and passionate enough sustain interest throughout. This film is about heart and friendship. It’s about determination and spirit. It’s a movie for all — not only political or sports junkies.

Facebook0Google+0Twitter0Pinterest0tumblrEmail

2 comments already!


An Education is a charming, intelligent film filled with excellent performances, especially from Carey Mulligan, who shines as the curious ingénue. Mulligan’s character, Jenny, is bookish school girl from suburban London who meets an older, sophisticated attractive man, David (played perfectly by Peter Sarsgaard), who drives a sports car and who sweeps her off her feet. David even convinces her strict, driven parents with his “respectable” act. Jenny is hooked completely…so much so even school is no longer important. When David’s true colors surface, she seems left with nothing, but is she? Based on the memoir by Lynn Barber, An Education was adapted for the screen by British novelist and humorist Nick Hornby, who uses his satiric, dry wit to bring the characters, especially Jenny and her family, to life. Though this film is mostly a serious drama, Hornby’s knack for writing vibrant and vivid characters comes across in this touching and heartwarming story. Nominated for three Academy Awards (Best Actress (Mulligan), Best Adapted Screenplay (Hornby) and Best Picture), this film is one of the best of the year.

Facebook0Google+0Twitter0Pinterest0tumblrEmail

1 comment.


It’s hard to say I loved The Hurt Locker since it is such a disturbing and brutal movie. I will most likely never watch this film again. It’s not the kind of movie you want to re-live over and over again. And, it’s also not the type of film I would usually be drawn to. But, all I know is that I felt moved after seeing it…and that it affected me more than any film has in a long time. I think one of the reasons I was drawn to this film was that no matter what the subject, no matter how brutal or violent, good filmmaking is universal and stands out over all of the hype and other elements of the plot or story. The Hurt Locker is filmmaking at its finest. Never having been to war or even war-torn areas, this film is what I, as a naive civilian, imagine combat to be like. It is gritty and dismal and bleak and, at times, boring. There are men quarreling and having everyday personality issues like you and I do in the workplace. There are anger issues and missing family. There is death. Unlike some war films where the action and personalities of the soldiers and even the violence seems contrived, this film just seemed, to me at least, authentic. Revolving around soldiers in a bomb disposal unit in Iraq, the main character here is reckless and careless. But, he’s good at what he does so others around him are able to mostly excuse his free and easy behavior, especially because they do not want to do what he does. He’s the one who puts on the protective bomb gear and gets up close and personal with bombs. He might be a rebel, but in his dangerous job, rebellion is more of an asset at times than a liability. Like I said, I have no military experience so this feeling of authenticity is not based on anything specific…it’s just what I felt as I was watching the film—that this what be what it is really like over there. Then, on top of the intensity and drama of the film, The Hurt Locker also morphs into a thriller. As nail-biting (probably even more so) as any thriller made in Hollywood today, this war drama will not let up…even after the credits start to roll. With so many trite, predictable films being made today (some even about the war in Iraq), The Hurt Locker stands out among not only other war dramas, but among all other films.
The Hurt Locker: directed by Kathryn Bigelow and starring Jeremy Renner and Anthony Mackie. The Niles Public Library owns copies of this title on DVD.

Facebook0Google+0Twitter0Pinterest0tumblrEmail

1 comment.