Now that Breaking Dawn has finally debuted, what do you think?  Have you finished reading it yet?  How long did it take? Is it predictable?  Shocking?  What do you think of the ending?  Did you love it?  Hate it?

If you’ve read it, submit your review at our website for a chance to win free stuff!

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What do you think of the official teaser trailer?

[youtube=http://www.youtube.com/watch?v=TtvDSqgcmWo]

Interesting fact: You probably know Ralph Fiennes plays Voldemort.  11-year old Tom Riddle is played by Fiennes’ nephew, Hero Fiennes-Tiffin.

Update: Unfortunately, we will now have to wait until next summer for the next installment in the Harry Potter series.  Warner Brothers recently pushed the premier back to July 17, 2009.  Here’s the story: http://hollywoodinsider.ew.com/2008/08/news-flash-harr.html.

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Hey, ever thought of writing about your life, but didn’t know where to start?  Come to our Six-Word Memoir Workshop and begin crafting stories about yourself in just one sentence!  Check out the SMITH Magazine website  to read life stories submitted by other people.

When: 7:00pm, Wednesday July 30
Where: Large Meeting Room, Niles Public Library, 6960 Oakton St., Niles

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Hitchcock delves into the genre of legal dramas with this one…with Gregory Peck as a British barrister who defends a woman he is convinced is innocence…mostly because he’s in love with her. Peck is miscast here, not even trying to fake an English accent. We know he can pull off a good “lawyer” act (as he does flawlessly in To Kill a Mockingbird), but he just doesn’t even seem to be trying here. Laughton and Barrymore are hardly used at all…I’m sure they were just cast for big name appeal…their roles are both minute, especially Barrymore’s. The one saving grace to this film is the plot. It’s a strong story that holds up through the years. Not packing as much of a “thriller” punch as most Hitchcock titles, this one is more about the drama and less about the suspense, though there is a crucial piece of plot that is revealed in the end. Compared to titles like Billy Wilder’s legal classic Witness for the Prosecution, the ending is not as intense, but the movie on a whole is a fine legal drama.

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I remember how excited I was when I got to this one during my “in order” Hitchcock phase as a child. Coming right between Rear Window (1954) and The Man Who Knew Too Much (1956), and the same year as To Catch a Thief, this one would have to be great, right? Well, to a 10-year-old, it was…for lack of a better term, boring. Why? Because it is a dark comedy and the humor, I guess, was over my head. I was expecting another thriller like the ones before and after it. But, instead I got a sweetly innocent story about a small New England town and a newly widowed single mother. Harry, the title character, is/was her husband and the beginning of the film shows his dead corpse lying on the grass under some autumn trees. How, why, and by whom Harry died contributes to both the story and the humor of this tale. And, watching it again as an adult, I liked it quite a bit. It’s sharp and original and clever. But, it’s not Rear Window. Hitchcock didn’t take that many chances throughout his career. He discovered early on that he was good at and liked directing thrillers so he mainly stuck to that. This is one of the few times he deviated and not only does it showcase Hitchcock’s versatility, it also proves he can poke fun at thrillers…in The Trouble with Harry murder/death is pretty dang funny!

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You know how all parents say that they do not have a favorite child. But, you KNOW they do. And, with a favorite, there’s always one that…just rubs them the wrong way. The one they think “what happened here?” all the time. Torn Curtain is my not-so-favorite child. Alfred Hitchcock was, to me, the filmmaker of all filmmakers. I like and admire other directors but Hitchcock will always be tops. And, then there’s a movie I have to justify and even recommend to people like this. It’s not that Torn Curtain is a bad film. It’s a good spy thriller. But, I’d come to expect Hitchcock to not make just GOOD films. I want to see perfection, like I’d usually seen in the past. Torn Curtain most definitely is not perfection. It’s a flawed film that eventually does work, but it takes more effort than it should. From what I know about the making of this one, I know Hitchcock and Paul Newman did not get along. And Hitchcock did not want to cast Julie Andrews. Sure, Hitchcock had been “forced” to work with actors he wasn’t that dazzled with before (think Kim Novak in Vertigo) but usually there was one star he was excited about…which got him through the movie. This time, both of his stars were not his favorites. Did that affect the film? Was Hitchcock so blinded by disappointment for the actors that he could not see his way to make a better film? Well, that’s one way to look at it. The story here is about an American scientist who fakes defecting to East Germany in order to get at the mathematical formula of a famed scientist on the other side of the Iron Curtain. The film has some great moments in it…the most notable being the killing of an East German agent who finds out the scientist is not legitimately defecting. Sadly, though, the great moments are too far and few between to call this a great Hitchcock movie. Thankfully, the Master of Suspense did redeem himself six years later with Frenzy. I’m not even going to acknowledge Topaz, which came in-between… Topaz, sadly, is another one of my unloved Hitchcock children.

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At 143 minutes, this is Hitchcock’s longest film. In comparison, North by Northwest is 136 minutes. Anyone who has seen North by Northwest knows there is not a slow second in that film. I don’t think even Hitchcock could say that about Topaz. Set in 1962, Topaz takes place in New York and Cuba, dealing with Cuban/Russian – American/French relations. At times, it is a sharp, clever movie that is as fast-paced as Hitchcock ever was. Sadly, though, more often than not, it tends to drag through the “information” scenes (scenes with TOO much dialogue and too much information that has to be conveyed to the audience). The romance between the French spy (or is he a spy?) and Juanita falls flat. But, there are some moments that one can only describe as PURE Hitchcock. Juanita’s death scene is one of Hitchcock’s best ever. And the sequence in Harlem is also top-notch suspense. With a little more time in the editing room, Topaz could have been one of Hitchcock’s best. Watch it…with the fast forward button not too far from reach.

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