OK — it’s not Hitchcock’s finest hour. But, this is his last film and he was not in the best of health when he made this one, so a little “understanding” is in order here. In 1976, when Family Plot was released, Hitchcock had been working as a filmmaker for more than six decades, had over 50 features under his belt, and was well into his 70s. Not that shabby of a career in a business that does not exactly promote longevity. So, we can forgive Family Plot for not being his finest work…but still a more-than-decent thriller. I don’t want it to sound like I feel Family Plot is an awful film. It most definitely is not. It’s a sharp, clever caper/romantic/psychic thriller that would be a shining moment for any mainstream director. It’s just Hitchcock’s work has held him up to such high standards that a film like this doesn’t exactly live up to his Rear Window or Psycho days. Oh well, getting past all this, like I said, this is a captivating and entertaining film that does have its fair share of thrills and surprises. It has several “Hitchcockian” scenes where the Master comes back to life and uses the camera to increase suspense like the good old days of North by Northwest. Basically, the plot revolves two interwoven stories: one revolves around a psychic who uses her “powers” to scam clients out of money and the other about a kidnapper and his wife. There are some pretty clever plot elements…like the way the kidnappers hide their hostages…and a lot of typical Hitchcock comic relief…provided mostly by the psychic and her befuddled boyfriend who works as her sometimes-assistant and a sometimes-cab driver (even though he claims he’s really an actor). A must for all Hitchcock/thriller fans…but not the one to start with if you want to get the feel of the Master’s best work.
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