This is the classic example of film noir….more than Otto Preminger’s Laura…more than anything else of the era. Why? Well, because this one’s got everything. In a big way too….lust, murder, the perfect femme fatale, the perfect fall-guy, the perfect everything. Based on the novel by James M. Cain (who also penned The Postman Always Rings Twice and Mildred Pierce) and directed by Billy Wilder, Double Indemnity is a thriller from start to finish…you’re always wondering and questions and getting closer and closer to the edge of your seat. Fred MacMurray plays a sarcastic insurance salesman who catches Barbara Stanwyck’s eye when he goes to try and sell her husband some insurance. Stanwyck is unhappily married and MacMurray knows it. The one thing in their way…her husband. Like in Postman, husbands are always expendable. Stanwyck is simply the best film femme fatale ever. She’s mean without being hard. She’s cool under pressure without being too sentimental. Stylized and perfectly cast, this Wilder masterpiece set the standard for film noir films…and dared others to try and top it…which, in my opinion, no film ever did.
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