Of the four films Cary Grant and Katharine Hepburn made, Bringing Up Baby is the most fun. It’s the wildest and craziest movie made by the pair and even one of the screwier of the screwball comedies ever made. Hepburn plays a flaky—I mean REALLY flaky—socialite who scientist Grant gets involved with after a series of unfortunate mishaps. All Grant really wants to do is get money for his museum from Hepburn’s aunt (he doesn’t know it’s her aunt in the beginning). And, after falling for him early on, Hepburn does everything she can to make sure he doesn’t leave her. Even though Grant and Hepburn and just delightful here, much of the snappiness of this film should be attributed to director Howard Hawks, who sharpens his talent for screwballs here (which will help him out considerably in 1940’s His Girl Friday). Previously more know for serious dramas, Bringing Up Baby is only Hawks’ second comedy. If you in the mood for a mild comedy, look elsewhere, because this one is super-zany and very raucous.
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